The failure of all preceding attempts to form an academy was attributed by Mr. Hogarth to the principal members assuming too much authority over their brother artists; he, therefore, proposed, that every member should contribute an equal sum of money to the establishment, and should have an equal right to vote on every question relative to the society. He considered electing presidents, directors, and professors, to be a ridiculous imitation of the forms of the French Academy, and liable to create jealousies.[3] Under Hogarth's guidance, the Academy continued for thirty years, with little alteration, to the high satisfaction of its several members, and the public in general.
On ascending the British throne, George III. evinced so much interest for the arts, that most of the members of the academy (though contrary to the wishes of their leader, who possessed a most independent spirit,) solicited the royal patronage to a plan they had in view of establishing an academy for painting, sculpture, and architecture. The success of this appeal is too well known to English readers to need much comment. His majesty was pleased to appropriate those very splendid apartments in Somerset-house for the use of artists, who shortly formed a new society, over which, by his majesty's special command, the great Sir Joshua Reynolds presided.
G.W.N.
VOLCANOES.
(For the Mirror.)
To describe the awful grandeur and terrific phenomena of volcanic eruptions in an adequate manner, is perhaps beyond the power of language. The number of volcanoes now known is about four hundred; nearly all of them are situated a small distance from the sea, and many appear to have been burning from time immemorial.
A certain mixture of sulphur, steel-filings and water, buried a short depth from the ground, will exhibit a kind of miniature volcano; and hence some philosophers have concluded, that in the bowels of burning mountains there are various sorts of bodies which probably ferment by moisture, and being thus expanded, at last produce eruptions and explosions. The mouth or chimney of a burning mountain is, in many instances, upwards of a mile across! from which, in an eruption, are emitted torrents of smoke and flame, rivers of lava, (consisting chiefly of bitumen and melted metal,) and clouds of cinders, stones, &c. to an immense distance. The wonderful quantity of these materials thrown out from the orifice almost exceeds belief; the lava rushes like a fiery torrent at a very rapid pace,—ravages the labours of agriculture, overthrows houses, and in a few seconds utterly destroys the hopes of hundreds of families—the toils of hundreds of years. Nothing impedes its awful course; when interrupted by stone walls, or even rocks, it collects in a few moments to the height of eight or ten feet; its immense heat and violent pressure quickly batter down the obstacle, which is literally made rotten by the fire, and the whole mass seems to melt together into the lava, which again continues its progress until exhausted by the distance of its destructive march.
An English traveller, who was at Naples during the eruption of Mount Vesuvius, on the 10th of September, 1810, thus describes the scene:—