G. K.


LOVE AND JOY.

AN ALLEGORY.

In the happy period of the golden age when all the celestial inhabitants descended upon the earth and conversed familiarly with mortals, among the most cherished of the heavenly powers were twins, the offspring of Jupiter, Love, and Joy. Wherever they appeared, flowers sprung up beneath their feet, the sun shone with a brighter radiance, and all nature seemed embellished by their presence; they were inseparable companions, and their growing attachment was favoured by Jupiter, who had decreed that a lasting union should be solemnized between them as soon as they arrived at mature years. But in the meantime, the sons of men deviated from their native innocence; vice and ruin over-ran the earth with giant strides; and Astrea with her train of celestial visitants, forsook their polluted abode; Love alone remained, having been stolen away by Hope, who was his nurse, and conveyed by her to the forest of Arcadia, where he was brought up amongst the shepherds. But Jupiter assigned him a different partner, and commanded him to espouse Sorrow, the daughter of Até. He complied with reluctance, for her features were harsh, her eyes sunken, her forehead contracted into perpetual wrinkles, and her temples encircled with a wreath of cypress and wormwood. From this union sprung a virgin, in whom might be traced a strong resemblance to both her parents; but the sullen and unamiable features of her mother were so blended with the sweetness of the father, that her countenance, though mournful, was highly pleasing. The maids and shepherds gathered round and called her Pity. A red-breast was observed to build in the cabin where she was born; and while she was yet an infant, a dove, pursued by a hawk, flew for refuge into her bosom. She had a dejected appearance, but so soft and gentle a mien, that she was beloved to enthusiasm. Her voice was low and plaintive, but inexpressibly sweet; and she loved to lie for hours on the banks of some wild and melancholy stream singing to her lute. She taught men to weep, for she took a strange delight in tears; and often when the virgins of the hamlet were assembled at their evening sports, she would steal in among them and captivate their hearts by her tales of charming sadness. She wore on her head a garland, composed of her father's myrtles twisted with her mother's cypress. One day as she sat musing by the waters of Helicon, her tears by chance fell into the spring; and ever since, the muses' spring has tasted of the infusion. Pity was commanded by Jupiter to follow the steps of her mother through the world, dropping balm into the wounds she made, and binding up the hearts she had broken. She follows with her hair loose, her bosom bare and throbbing, her garments torn by the briars, and her feet bleeding with the roughness of the path. The nymph is mortal, for so is her mother; and when she has finished her destined course upon earth, they shall both expire together, and Love be again united to Joy, his immortal and long-betrothed bride.


THE CONTEMPORARY TRAVELLER.

ACCOUNT OF THE VOLCANIC FORMATIONS NEAR THE RHINE.

(From a Correspondent.)

There is a volcanic country on the left bank between Remagen and Andernach, highly interesting to the naturalist, but I believe not visited by the generality of travellers. The late accounts, however, of the formations of a similar kind in Auvergne and Clermont, in the centre of France, and the speculations to which these phenomena have given rise, determined me to explore this district whilst I was in the neighbourhood. Bidding adieu, therefore, to the green little island of Nonnenworth, I made the journey to Brohl, a convenient day's walk of sixteen miles, passing through Oberwinter, Remagen, and Breysig, and the other white and slated villages that enliven the river. It is here the valley of the Rhine narrows, and the succession of ridges and dales which the road skirts, are sometimes entirely barren, at others thickly covered with vines and fruit-trees. Though the former plant is pleasing in the tints of its leaf, and in the idea of cultivation and plenty that its thick plantations present, yet there is a stiffness in the regularity in which it grows, propped up by sticks; and it is so short, that one's fancy as to its luxuriance, (especially if formed from such poetry as Childe Harold,) is certainly disappointed. I made a digression from the road up the little river Aar, which falls into the Rhine near Sinzig. A more striking picture you cannot imagine. The stream is remarkably clear and rapid, the bottom rocky, and its banks, for a considerable distance, are literally perpendicular rocks. The Aar is a perfect specimen of the mountain torrent; it rises in the Eiffel mountains; and, I am told, in the winter does much mischief by inundations. It put me in mind of the Welsh rivulets, particularly some parts of the Dee. This détour having taken up more time than I expected, I reached Brohl, late, but in time for the supper at the rustic Gasthoff, which, with a flask of Rhenish wine, and the company of an agreeable German tourist who was staying there, made ample amends for the fatigues of the day.