With the present is published a SUPPLEMENTARY NUMBER, containing the SPIRIT of "the ANNUALS" for 1829—with Critical Notices of their Engravings and Literary Contents, copious Selections, and Unique Extracts, and a FINE ENGRAVING from a splendid subject; in one of the most popular of these elegant works.
LIMBIRD'S EDITION OF THE
FOLLOWING NOVELS ARE ALREADY PUBLISHED:
s. d.Mackenzie's Man of Feeling 0 6
Paul and Virginia 0 6
The Castle of Otranto 0 6
Almoran and Hamet 0 6
Elizabeth, or the Exiles of Siberia 0 6
The Castles of Athlin and Dunbayne 0 6
Rasselas 0 8
The Old English Baron 0 8
Nature and Art 0 8
Goldsmith's Vicar of Wakefield 0 10
Sicilian Romance 1 0
The Man of the World 1 0
A Simple Story 1 4
Joseph Andrews 1 6
Humphry Clinker 1 8
The Romance of the Forest 1 8
The Italian 2 0
Zeluco, by Dr. Moore 2 6
Edward, by Dr. Moore 2 0
Roderick Random 2 6
The Mysteries of Udolpho 3 6
Footnote 1: [(return)]
Dr. Stukely, who says, that acan in the Chaldee signifies a serpent, and hac is no other than a snake. In Yorkshire they still call snakes hags; and in the British language pen denotes a head.
Footnote 2: [(return)]
The only place in which they do not progress mutually is the theatre. Look at the scenery of our patent theatres, and compare it with the vulgar daubs even of John Kemble's time. Some of the scenes by Stanfield, Roberts, Grieve, and Pugh, are "perfect pictures." Yet the language of the stage is at a stand, and insipid comedy, dull tragedy, and stupid farce are more abundant than before the "march of mind".
Footnote 3: [(return)]
While on the subject of wood-engraving, perhaps we may he allowed to mention our own humble plan of illustrating a sheet of letter-press for twopence. Of course, perfection in the engraving department would have ruined all parties concerned; for each of our subjects (as the miniature painters tell you of their works) might be worked up to "any price". It is now six years since the MIRROR was commenced, and as we are not speaking of ourselves, individually, we hope we may refer to the progressive improvement of the graphic department without any charge of vanity.
Footnote 4: [(return)]
The engraving is from Prout's exquisite picture of the magnificent city of Vicenza—for which we recollect our obligation to the "Forget Me Not."