THE ANECDOTE GALLERY.
OTHELLO.
On the crew of the Flora being treated to see Othello at the Portsmouth Theatre, Cassio's silly speech proved an exquisite relish to the audience, where he apostrophizes heaven, "Forgive us our sins," and endeavours to persuade his companion that he is sober. "Do not think, gentlemen, I am drunk? this is my Ancient: this is my right hand, and this is my left hand: I am not drunk now." "No, not you," roared a Jack, who no doubt would have been a willing witness in Cassio's defence, had he been brought to the gangway for inebriety. "I can stand well enough," continued the representative of Cassio. "Then, hang it! why don't you walk the plank at once, and prove yourself sober?" vociferated a long-tailed wag, determined not to slip this opportunity of having a shot on the sly at his first lieutenant, who had only a night or two before put his perpendicularity to a similar test.
At the last scene the shouts became alarming; volleys of imprecations were hurled at his head—his limbs—his life. "What!" said one of the rudest of the crew, "can the black brute cut her lifelines? She's a reg'lar-built angel, and as like my Bet as two peas."—"Ay," said a messmate, "it all comes of being jealous, and that's all as one as mad; but you know, if he's as good as his word, he's sure to be hanged,—that's one comfort!" When the Moor seized her in bed by the throat, Desdemona shrieking for permission to repeat but one short prayer, and he rancorously exclaims, in attempting to strangle her, "It is too late!" the house, as it is said a French audience had done ere now, could endure no more; and the sailors rose in their places, giving the most alarming indications of angry excitement, and of a determination to mingle in the murderous scene below. "I'm ——, Dick, if I can stand it any longer," said the spokesman of the gallery. "You're no man, if you can sit and look on quietly; hands off, you blood-thirsty niggar," he vociferated, and threw himself over the side of the gallery in a twinkling; clambering down by a pillar into the boxes, and scrambled across the pit, over every person in his way, till he reached the noisy boatswain's mate. Him he "challenged to the rescue," and exclaimed, "Now's your time, Ned,—Pipe the boarders away—all hands,——! if you're a man as loves a woman. Now, go it," said he, and dashed furiously over all obstacles,—fiddles, flutes, and fiddlers. Smash went the foot-lights—Caesar had passed the Rubicon. The contagion of feeling became general; and his trusty legions, fired with the ambition that inspired their leader, followed, sweeping all before them, till the whole male population of the theatre crowded the stage en masse, amid shouts of encouragement, or shrieks of terror; outraging, by their mistaken humanity, all the propriety of this touching drama; and, for once, rescuing the gentle Desdemona from the deadly grasp of the murderous Moor, who fled in full costume, dagger in hand, from the house, and through the dark streets of Dock, until he reached his home in a state of inconceivable affright. The scene of confusion which followed, it would be fruitless to attempt to describe. All was riot and uproar.—Sailors and Saints.
DEATH OF DAUBENTON.
We have had countless instances of "the ruling passion strong in death;" but perhaps we can adduce nothing more illustrative of that feeling than the following fact, which may vie with the sublimity of Rousseau's death, when he desired to look on the sun ere his eyes were closed in the rayless tomb:—M. Daubenton, the scientific colleague of Buffon, and the anatomical illustrator of his "Histoire Naturelle," on being chosen a member of the Conservative Senate, was seized with apoplexy the first time he assisted at the sessions of that body, and fell senseless into the arms of his astonished colleagues. The most prompt assistance could only restore him to feeling for a few moments, during which he showed himself, what he had always been—a tranquil observer of nature. He felt with his fingers, which still retained sensation, the various parts of his body, and pointed out to the assistants the progress of the disease! He died on the 31st of December, 1799. The Edinburgh Philosophical Journal states, "it may be said of him, that he attained happiness the most perfect, and the least mixed, that any man could hope to attain. His life was marked by an undeviating pursuit of science; and to him was Buffon indebted for instruction and example. Naturally of a mild and conciliatory disposition, and gifted with cool and dispassionate consideration, he was just such a preceptor as was calculated to curb the imagination of Buffon, whose fiery and ardent genius was apt to substitute theory for proof, and fancy for fact; and often did the 'biting smile' of M. Daubenton check the ardency of Buffon, and his well-weighed words arrest him in his headlong progress." What more noble picture of scientific devotion can we imagine than the feeble and aged Daubenton, shut up for whole days in his cabinet of natural history, ardently exerting himself in the complex and weary task of arranging the objects according to their several relations? But Buffon, with the wayward negligence which clings to genius, did wrong to his friend in publishing an edition of his "Histoire Naturelle" without the dissections. Yet such a step, discountenanced by all the liberal body of science, was forgiven by the philosophic and gentle Daubenton; and Buffon made atonement for his aberration, by re-uniting himself to the companion of his childhood, the participator in his studies, and the preceptor of his genius.