157. Lord Byron's Dream.—C.L. Eastlake.—A rich oriental landscape, and a most delightful scene of desert stillness.
172. Portrait of Robert Southey, Esq.—Sir T. Lawrence—We hope the president's portrait will please the laureate, for he has been rather tenacious about his "likenesses" which have been engraved. The present is, perhaps, one of the most intellectual portraits in the room, but is too energetic even for the impassioned poet.
181. Queen Margaret of Anjou, being defeated at the battle of Hexham, flies with the young prince into a forest, where she meets with robbers, to whose protection she confides her son.—H. P. Briggs.—This subject is by no means new in art, but is here cleverly treated, and the whole is very effective.
214. Othello and Desdemona.—R. Evans.—Why is Othello in armour? Let Mr. Planché, in his Costumes, look to this.
216. Portrait of Miss Phillips, of the Theatre Royal, Drury Lane, as Juliet.—H. E. Dawe.—This picture is entirely devoid of flattery; and is by no means a good likeness of the interesting original.
224. Roman Princess, with her Attendant, washing the female pilgrim's feet.—D. Wilkie—An affecting picture of a truly devotional incident.
246. Camilla introduced to Gil Blas at the Inn.—G. S. Newton.—This picture is considered to be Mr. Newton's chef d'oeuvre. The landlord is entering the chamber with a flambeau in his hand lighting in a lady, more beautiful than young, and very richly dressed; she is supported by an old squire, and a little Moorish page carries her train. The lankiness of Camilla is somewhat objectionable, but the head is exquisitely animated. The sentimentality of Gil Blas too, is excellent.
293. The Confessional—Pilgrims confessing in the Basilica of St. Peter's.—D. Wilkie.—An interesting picture, though not equal to others by the same artist, in the present exhibition.
322. Hadleigh Castle. The mouth of the Thames—morning after a stormy night—J. Constable—The picturesque beauty of this scene is spoiled by the spotty "manner of the artist."
352. Coronation of the Remains of Ines de Castro.—G. St. Evie.—An attractive picture of one of the most extraordinary scenes in history. The remains of Dona Ines de Castro taken out of her tomb six years after the interment, when she was proclaimed queen of Portugal. This is an illustration of Mrs. Hemans's beautiful lines which we quoted in a recent number of the MIRROR.