There be sure was Murat charging:
There he ne'er shall charge again."
BYRON.
Perhaps the features of romance were never more fully developed than in the last days and death of Murat, King of Naples. To speak panegyrically of his prowess, is supererogatory; as his bravery has been the theme of history and of song. But a pathetic paper in Blackwood's Magazine, affectingly describes his fall from splendour and popularity to servile degradation and unmerited military death. He has many claims on our interest and pity; whether we view him as the enthusiastic leader of Napoleon's chosen, against the wily Russians, in the romantic array of "a theatrical king," bearing down all impediment; or the plumeless and proscribed monarch of "shreds and patches," hiding from his enemies amidst the withered spoils of the forest. The writer of the paper referred to, in describing his arrival at Ajaccio, says, "I was sitting at my door, when I beheld a man approach me, with the gaiters and shoes of a common soldier. Looking up, I beheld before me Joachim II. the splendid King of Naples! I uttered a cry, and fell upon my knees!"
Escap'd from wreck and storm of fickle seas,
Degraded, plunder'd, sought for by his foes,
Brave Murat went, a weary, exil'd king,
Unto the land that gave Napoleon life;
And he who was the head of armies, when
His sabre slew opposing multitudes;