To condense either of the stories would be neither advantageous to the author nor reader. We therefore extract a scene or two from "the Bondsman's Feast," and an exquisite portrait of "the Dream Girl:"—
The Bondsman's Feast.
Arthault's only child was a son, who owed nothing to his father but the prospect of a fair inheritance, for he was little like him in form, and not at all in mind: he was a fine, manly, generous, and high-spirited youth—such as would have been thought too early born, had his appearance been made before the hereditary servility of his family was forgotten. The knight, too, had an only child, a daughter; who, in personal appearance and moral qualities, contrasted in as remarkable a manner with her father. She was little almost to a fault, in the standard of beauty, if there be such a thing; her form was moulded with a delicacy, which gave the idea of one of those aërial shapes that dance in the beam of poesy: and there was that gentle and refined playfulness of expression in her fair countenance, which artists have loved to picture in the nymphs of some silvan goddess, whose rudest employment is to chase one another on the green bank, or sport in the transparent wave.
Guillaume loved the beautiful bourgeoise before he knew that such love was a condescension; and Amable, when, on being desired by her father to refuse her heart to Guillaume, she thought of inquiring whether she possessed such a thing at all, started with surprise to find that she had given it away to the knight's son long ago. But where was the use of repining? Guillaume was young, and handsome, and generous, and brave; and what harm could befall her heart in such keeping? Amable turned away from her father with a light laugh, and a light step, and stealing skippingly round the garden wall—for already the paternal prohibitions had gone forth—bounded towards a grove of wild shrubs at the farther end.
The trees were bathed in sunlight; the air was filled with the song of birds; the face of heaven was undimmed by a single spot of shade, and the earth was green, and sparkling, and beautiful beneath. Such was the scene around her; but in Amable's mind, a warmer and brighter sun shed its light upon her maiden dreams, and the voice of the sweet, rich singer Hope drowned the melody of the woods. "Away!" she thought; "it cannot be that this strange, unkindly mood can endure; my father loves his friend in spite of all, and the noble and generous knight could not hate if he would. They shall not be a week apart when they will both regret what has passed; and when they meet again, I will laugh them into a confession that they have done so. Then the two friends will embrace; and then Guillaume and I will sing, and dance, and read together again—and then—and then—and then—" It seemed as if her thoughts had run her out of breath; for at this point of the reverie she paused, and hung back for a moment, while a sudden blush rose to her very eyes. Soon, however, she recovered; she threw back her head gaily, and yet proudly; legends of happy love crowded upon her memory, and minstrel songs echoed in her ear; she bounded lightly into the wood, and as some one, darting from behind a tree, caught her while she passed, Amable, with the stifled scream of alarm, which maidens are wont to give when they wish it unheard by all save one, found herself in the arms of Guillaume. * * * *
This was a proud and a happy day for Arthault. His head was in the clouds; he scarcely seemed to touch the earth with his feet; but yet, with the strong control which worldly men are wont to exercise over their feelings, he schooled his aspect into the bland and lowly expression of grateful humility. When, in the early part of the morning, the echoes of Nogent (the chateau) were awakened by a flourish of trumpets, which proclaimed the approach of the Count, instead of waiting to receive him in the arcade under the belfry, according to the common usage of lords at that period,[4] he walked bare-headed to the gate of the outer court, and, kneeling, held the prince's stirrup as he dismounted.
The breakfast was served in cups and porringers of silver, set on a magnificent gold tray, and consisted chiefly of milk made thick with honey, peeled barley, cherries dried in the sun, and preserved barberries. The bread was of the mias cakes, composed of rye-flour, cream, orange-water, and new-laid eggs;[5] and the whole was distributed among the guests by Guillaume; the host himself having been compelled to take his seat at table by the Count.
The morning was spent in viewing the improvements of the place, and riding about the neighbourhood; and at ten o'clock the company partook of a dinner served in the same style of tasteful magnificence. The viands included, among other things, a lamb roasted whole, the head of a wild boar covered with flowers, fried trouts, and poached eggs, which were eaten with boiled radishes, and peas in their shells.[6]
A profusion of the precious metals graced the table, more especially in drinking cups; those of horn, which were formerly in general use, having about this period gone out of vogue. The luxury of forks, it is true, had not yet been invented; but when it is remembered that the hands were washed publicly, before and after meals, not as a fashionable form, but in absolute earnest, it will not be feared that any indelicacy in the feasters contrasted with the taste and splendour of the feast.[7]