"Pies, Betty! what can they want with pies at 54?—they had pies yesterday!"
Of this very point I have availed myself. Let me add that Paul Pry was never intended as the representative of any one individual, but a class. Like the melancholy of Jaques, he is "compounded of many Simples;" and I could mention five or six who were unconscious contributors to the character.—That it should have been so often, though erroneously, supposed to have been drawn after some particular person, is, perhaps, complimentary to the general truth of the delineation.
With respect to the play, generally, I may say that it is original: it is original in structure, plot, character, and dialogue—such as they are. The only imitation I am aware of is to be found in part of the business in which Mrs. Subtle is engaged: whilst writing those scenes I had strongly in my recollection Le Vieux Celibataire. But even the little I have adopted is considerably altered and modified by the necessity of adapting it to the exigencies of a different plot.—New Monthly Magazine.
MAUREEN.
The cottage is here as of old I remember,
The pathway is worn as it always hath been;
On the turf-piled hearth there still lives a bright ember;—
But where is Maureen?
The same pleasant prospect still lieth before me,