CALCULATING NOTES.—PAGANINI.
Stephen Storace had a remarkably good head for figures. When a boy, his passion for calculation was beyond all belief. Michael Kelly says, he has been known to multiply four figures by four figures, by memory, in three minutes. When young, Kelly tells us, Storace was so astonished that fifty guineas should be paid for singing a song, that he counted the notes in it, and calculated the amount of each at 4s. 10d.
This passion for calculating the value of notes (musical ones) has seized a Parisian dilettante, who, according to the Furet de Londres, has been fixing the price of every note and rest in certain pieces played by Paganini recently, at a concert given at the Opera at Paris, which produced him 16,500 francs. The following is the result:—He performed, during the evening, three pieces, each occupying five pages of music, of about 91 bars to the page. The fifteen pages thus contained 1,365 bars, by which the 16,500 francs are to be divided. The quotient will be 12 francs for each bar, or the proportions will be as follows:—For a semibreve, 12f.; a minim 6f.; a crotchet, 3f.; a quaver, 1f. 50c.; a semiquaver, 15 sous; a demisemiquaver, 7-1/2 sous. And, on the other hand, for a minim rest, 6f.; a crotchet rest, 3f.; &c. There would still remain out of the 16,500 francs, 420, which is exactly the price of such a violin as the Conservatory awards as a prize to its most distinguished pupils.
All this may be play to Paganini, but destruction to less fortunate musicians, for he swallows up all that would otherwise be distributed among many. An English violinist must work many long laborious days and nights before he can scrape together six hundred and eighty-seven pounds sterling—the sum, it seems, which the lucky Italian gets by a single concert!—Ibid.
THE SELECTOR
AND
LITERARY NOTICES OF
NEW WORKS.
FREEMASONRY.
In a neat volume, called The Freemasons' Pocket Companion, of size to fit the waistcoat pocket, we find the following brief sketch of the History of Freemasonry in England. This little Manual is "By a Brother of the Apollo Lodge, 711, Oxford," who acknowledges his obligation to Oliver and Preston, an article on Masonry, in the Encyclopædia Britannica, &c.:—
In Britain, we are informed that St. Alban, the first martyr for Christianity in this country, was a great patron of the masons, and procured leave from the King or Emperor Carausius for a general meeting or assembly to be held by them, and higher wages to be given them. But we have no good reason, I think, to believe that these masons had much connexion with our fraternity, nor that freemasonry was introduced into Britain before the time of St. Austin, who, with forty more monks, among whom the sciences were preserved, was commissioned by Pope Gregory to baptize Ethelbert, King of Kent. About this time appeared those trading associations of architects who travelled over Europe, patronised by the See of Rome. The difficulty of obtaining expert workmen for the many pious works raised at that time in honour of religion, made it prudent to encourage, by peculiar privileges, those bodies of men, who had devoted themselves to the study and practice of architecture. Accordingly they were allowed to have their own government without opposition, and no others were permitted to work on any building with which they were concerned. They were under regular command, divided into lodges, with a master and wardens in each, and dwelt in an encampment near the building they were employed to erect.