145. The Body of Harold discovered by Swanachal and two Monks, the morning after the Battle of Hastings. A.J. Woolmer. A picture of some, and not undeserved, distinction in a previous exhibition.
150. Mr. King and Mrs. Jordan in the "Country Girl." R. Smirke, R.A. The drawing is easy and natural, but the colouring appears to us deficient in tone and breadth.
153. View of the River Severn near the New Passage House. Nasmyth. A delightful scene in what we may call the artist's best, or crisp style.
157. Puppy and Frog. E. Landseer, R.A. In the most vigorous style of our best animal painter.
163. A State Quarry. De Loutherbourg.
165—167. Portraits of Worlidge and Mortimer. Painted by themselves.
172. Villa of Maecenas. One of Wilson's most celebrated compositions, of classic fame.
181. Master's Out, "The Disappointed Dinner Party." R.W. Buss. A scene of cockney mortification humorously treated.—An unlucky Londoner and his tawdrily-dressed wife, appeared to have toiled up the hill, with their family of four children, to a friend's cottage, the door of which is opened by an old housekeeper, with "Master's out," while the host himself is peeping over the parlour window-blind at the disappointment of his would-be visitors. The annoyance of the husband at the inhospitable answer, and the fatigue of his fine wife, are cleverly managed; while the mischievous pranks of the urchin family among the borders of the flower-garden remind us of the pleasant "Inconveniences of a Convenient Distance." The colouring is most objectionable; though the flowers and fine clothes are very abundant.
194. Falls of Niagara. Wilson. A sublime picture of this terrific wonder of the world.
196. Erzelin Bracciaferro musing over Meduna, slain by him for disloyalty during his absence in the Holy Land. Fuseli. A composition of touching melancholy, such as none but a master-mind could approach.