MATERNITY.
[From "Songs of Seven.">[
Here is another exquisite holiday volume,—"Heroines of the Poets,"—which will further exemplify what we have been saying. It has been made up of a series of pictures by Fernand H. Lungren, with accompanying text. Any single picture will serve as an illustration. For instance, this of Ellen, in "The Lady of the Lake," a subject of unusual difficulty, and requiring unusual skill for its proper management. It needs no second glance to see how perfectly the engraver has triumphed over his difficulties. Or, select at random any of the illustrations in this second volume from the same publishers, "Ideal Poems." One of the best, perhaps, is Henry Sandham's vigorous illustration of Browning's poem, "How they brought the good news from Ghent to Aix." The sunburst over the eastern hills, the cattle black against the light, the panting horses and their eager riders, and the rolling clouds of dust,—the character of each and all, as portrayed by the artist, is perfectly rendered.
"THE SWANHERDS WHERE THE SEDGES ARE."
[From The High Tide.]
Elbridge Kingsley has acquired reputation for engraving directly from nature, without the intervention of brush or pencil. One may judge of the results of his work by the plates in Whittier's "Poems of Nature," issued as a special holiday volume the present season. The pictures vary in merit, but they all show what the skilled workman is capable of doing with block and graver.
Here is another volume of the season, an exquisite edition of "The Favorite Poems" of Jean Ingelow, from which we copy two pictures as admirably illustrating a phase of wood-engraving especially pleasing and attractive. The first, from "Songs of Seven," has the advantage of being a charming subject in itself, but the engraver has been as conscientious in his work as if he had no such aid, and the result is doubly satisfying to the eye. The other, from "The High Tide on the Coast of Lincolnshire," is equally gratifying and artistic.
THE SILENT CHRISTMAS.
[Wonderful Christmases.]