The old Lady ruffled up in her shady corner. “By no means. When I was young—”
The mother looked deprecatingly at me. “Mr. Julius, have you never wondered why Life should be so dark? And yet there was once a Golden Age!”
“The occultists say that every age has its own characteristics. This is Kali Yuga, the dark age. In the Satwa Yuga, cycle of causes or truth, the highest of the three conditions or states, known as Satwa Guna, prevailed.[164] Consequently in that age, men lived longer, happier and more spiritual lives. In Treta, the second age, prevailed Raja Guna the second condition, and the life period and happiness of men decreased. In the Dwarapa, (third age) there was less of Raja Guna. In the present Kali Yuga, there is more of Tamo Guna, and this is the worst of the cycles.
“The characteristics of these grand cycles and the different minor cycles are elaborately described in the sacred literature of the Hindus. If it would not weary you I could tell a story which gives some idea of the nature of cyclic influence and how coming events cast their shadows before.”
Popular opinion, led by Sue, clamored for the story.
“This story is taken from a secret sanscrit book, called the Diary of the Pandavas. It gives a diurnal account of the 18 years forest life of five exiled princely brothers immediately previous to our dark age. This book contains 18 x 360 stories describing the cumulative tendency of sin, and it is said was used in the last yugas as the first book of morals for boys;[165] every story has its moral; the series reveals the genealogy of evil, or of the descent of spirit into matter.
“The volume is secretly preserved for the training of occultists, and the entire order in which the stories are arranged is only revealed during initiations. An initiate who has passed three initiations and is preparing for the fourth, is only shown that series treating of such especial elements of his evil nature as he is then preparing to convert into higher energies. In this story, the five brothers are ideal kings. The eldest is regarded as an embodiment of Dharma, (the Law itself,) an incarnation of the God of Justice, yet so strong was the influence of the coming dark cycle, that one Adharma, (transgression of law, injustice) occurred daily within the palace. Late one evening the Maharaja, (elder brother) had retired and was chatting with his wife. The four younger brothers were as usual respectively guarding the four palace gates. Bhima, (the terrible) wisest of the younger brothers was invariably at the chief gate during the first three hours. To him comes a poor injured Brahmin who asks to see the Maharaja immediately and knocks the “Bell of Complaint.” The Maharaja sends a servant to say that he is in bed and will hear the complaint next morning. The Brahmin saw that the shadow of Kali Yuga had come and smiling, turned away.[166] But Bhima would not let him go without knowing whether justice had been done him. The Brahmin refused to reply; he would not sit in judgment nor reveal the king’s faults. Bhima knew from the petitioner’s silence that no attention had been paid to his case, and ordered that a trumpet be sounded and a proclamation be thus issued: “Strange that our just brother the Monarch has relied upon to-morrow and sacrificed duty to pleasure.” The king heard the cry of the trumpeter and coming hastily on foot, he overtook the Brahmin, fell at his feet, heard and redressed his complaint, then walked sullenly back. Kali’s influence was thus doubly seen. First in the Monarch’s conduct and secondly, in that the younger brother should presume to judge and to teach the elder. If even in the palace of the five most law abiding persons, Kali played so powerful a part, we may imagine her influence in other circles of life, amongst the ignorant, or amongst us later mortals now when her momentum has full swing.”
There was a brief silence. Then a shooting fire ray revealed a divine gem in the Mother’s eye and her soft voice said lowly; “After all, it seems that we are our brother’s keeper.” And no one gainsayed her.
Julius.