Rienzi.
The fourth opera written by Wagner. The first three, "The Wedding," "The Fairies," and "The Novice of Palermo" are scarcely known to-day. The music of "The Wedding" was never completed; "The Fairies," although finished in 1833, was first produced in 1888, five years after Wagner's death, when the theater at Munich obtained sole rights for its production. During the tour season it is still frequently placed on the boards of that theater, with all the scenic appurtenances of an operetta. Neither Wagner himself nor the admirers of his later work could claim for it any strong originality or power.
"The Novice of Palermo" had only one performance. That was conducted under Wagner's own direction, in 1836, in Magdeburg. The best comment upon this occasion was made by the succeeding performance, when the audience consisted of three persons—Wagner's housekeeper, her husband, and one Polish Jew!
After this discouraging event, Wagner abandoned Germany for Paris, and there wrote his five-act opera, "Rienzi," which was shortly afterward accepted by the Dresden Theater. Its success was immediate and brilliant, and this notwithstanding the fact that its performance lasted six hours.
The opera is still occasionally produced in Germany, but it is practically unknown to the lyric stage in the English-speaking countries.
Wagner.
Born in Leipsic, in 1813. He was a child of tastes and enthusiasms, but of no apparent genius. He loved philology, history, and mythology; but, most of all, he loved the drama. His early associations were musical, and at the age of sixteen he resolved to become a musician.
During his period of apprenticeship he wrote a few concert pieces, but his love of drama led almost at once to his real vocation—the opera. In 1836 he married an actress, Minna Planer, who, despite beauty and a talent for her art, and despite a faithful nature, failed to comprehend Wagner's genius, or to make him happy.
For twenty-five years they struggled to appreciate each other, then separated. Wagner subsequently married Cosima, daughter of Liszt, and divorced wife of Von Bülow. The union was one of ideal happiness.