"Before eleven o'clock we reached the Hermitage, situated between Vesuvius and the Somma, and the highest habitation on the mountain. A great number of men were assembled within, and guides, lazzaroni, servants, and soldiers were lounging round. I alighted, for I was benumbed and tired, but did not like to venture among those people, and it was proposed that we should wait for the rest of our party a little farther on. We accordingly left our donkeys and walked forward upon a kind of high ridge, which serves to fortify the Hermitage and its environs, against the lava. From this path as we slowly ascended, we had a glorious view of the eruption, and the whole scene around us, in its romantic interest and terrible magnificence, mocked all power of description. There were, at this time, five distinct torrents of lava rolling down like streams of molten lead; one of which extended above two miles below us, and was flowing towards Portici. The showers of red hot stones flew up like thousands of sky rockets; many of them being shot up perpendicularly, fell back into the crater, others falling on the outside, bounded down the side of the mountain, with a velocity which would have distanced a horse at full speed: these stones were of every size, from two to ten or twelve feet in diameter.
"My ears were by this time wearied and stunned by the unceasing roaring and hissing of the flames, while my eyes were dazzled by the glare of the red, fierce light: now and then I turned them for relief, to other features of the picture, to the black shadowy masses of the landscape stretched beneath us, and speckled with little shining lights, which showed how many were up and watching that night; and often to the calm vaulted sky above our heads, where thousands of stars (not twinkling, as through our hazy or frosty atmosphere, but shining out of 'heaven's profoundest azure,' with that soft steady brilliance, peculiar to a highly rarified medium) looked down upon this frightful turmoil, in all their bright and placid loveliness. Nor should I forget one other feature of a scene, on which I looked with a painter's eye. Great numbers of the Austrian forces, now occupying Naples, were on the mountain, assembled in groups, some standing, some sitting, some stretched on the ground and wrapped in their cloaks, in various attitudes of amazement and admiration; and as the shadowy glare fell on their tall martial figures and glittering accoutrements, I thought I had never beheld any thing so wildly picturesque."
After spending the day with a select party of friends amidst the ruins of Pompeii, she draws the following picture of the celebrated environs of Naples.
"Of all the heavenly days we have had since we came to Naples, this has been the most heavenly; and of all the lovely scenes I have beheld in Italy, what I saw to-day has most enchanted my senses and imagination. The view from the eminence on which the old temple stood, and which was anciently the public promenade, was splendidly beautiful: the whole landscape was at one time overflowed with light and sunshine; and appeared as if seen through an impalpable but dazzling veil. Towards evening, the outlines became more distinct: the little white towns perched upon the hills, the gentle sea, the fairy island of Rivegliano with its old tower, the smoking crater of Vesuvius, the bold forms of Mount Lactarius and Cape Minerva, stood out full and clear under the cloudless sky; and as we returned, I saw the sun sink behind Capri, which appeared by some optical illusion, like a glorious crimson transparency suspended above the horizon: the sky, the earth, the sea, were flushed with the richest rose color, which gradually softened and darkened into purple: the short twilight faded away, and the full moon, rising over Vesuvius, lighted up the scenery with a softer radiance."
We intended to have quoted other passages, in which our fair authoress sketches with striking eloquence, the exhibitions of Sestine, one of that extraordinary race called Improvvisatori—a race which seems to be almost peculiar to Italy; and which, far from being extinct, are still to be found in almost every town from Florence to Naples. Her description too of a splendid illumination at St. Peter's, and her just observations upon the works of the great masters, particularly of the Divine Raffaelle, are worthy of particular designation; but it would be an almost endless task to select passages from a work, which from beginning to end, and through almost every page, is a volume of thrilling interest. We shall content ourselves with one or two beautiful extracts distinguished for their deep moral tone, and somewhat connected, as we suppose, with that all-engrossing and mysterious source of melancholy which seems to have imbittered the peace and hastened the dissolution of this interesting female.
"It is sorrow which makes our experience; it is sorrow which teaches us to feel properly for ourselves and for others. We must feel deeply before we can think rightly. It is not in the tempest and storm of passions, we can reflect—but afterwards, when the waters have gone over our soul; and like the precious gems and the rich merchandise which the wild wave casts on the shore out of the wreck it has made—such are the thoughts left by retiring passions."
Again; what can be more affecting than her final adieu to Naples.
"When we turned into the Strada Chiaja, and I gave a last glance at the magnificent bay and the shores all resplendent with golden light; I could almost have exclaimed like Eve, 'must I then leave thee, Paradise!' and dropt a few natural tears—tears of weakness, rather than of grief: for what do I leave behind me worthy one emotion of regret? Even at Naples, even in this all-lovely land, 'fit haunt for gods,' has it not been with me as it has been elsewhere? as long as the excitement of change and novelty lasts, my heart can turn from itself 'to luxuriate with indifferent things:' but it cannot last long; and when it is over, I suffer, I am ill: the past returns with tenfold gloom; interposing like a dark shade between me and every object: an evil power seems to reside in every thing I see, to torment me with painful associations, to perplex my faculties, to irritate and mock me with the perception of what is lost to me: the very sunshine sickens me, and I am forced to confess myself weak and miserable as ever. O time! how slowly you move! how little you can do for me! and how bitter is that sorrow which has no relief to hope but from time alone!"
We shall quote only one of the many interesting specimens of poetry with which the volume is interspersed. It is an extempore translation of a beautiful sonnet of Zappi, an Italian poet.
| "Love, by my fair one's side is ever seen, He hovers round her steps, where'er she strays, Breathes in her voice, and in her silence speaks, Around her lives and lends her all his arms. "Love is in every glance—Love taught her song; And if she weep, or scorn contract her brow, Still Love departs not from her, but is seen Even in her lovely anger and her tears. "When, in the mazy dance she glides along, Still Love is near to poise each graceful step: So breathes the zephyr o'er the yielding flower. "Love in her brow is throned, plays in her hair, Darts from her eye and glows upon her lip, But oh! he never yet approached her heart!" |