A matter-of-fact-man is well portrayed in the following:

"Henry Barton," said she to herself, "is a good creature, as ever was born; and he has great merit, too, in cultivating his mind so sedulously, surrounded as he is only by the clodpoles his father has brought him up amongst. But, after all, he is such a mere matter-of-fact-man, that one soon tires of him—he tells one an anecdote just as he reads it, and there's an end of it. And then he moralizes, too, in such a common-place way, and wonders how the Romans could degenerate so as to suffer themselves to be conquered by the Goths, and finds out that it was an abominable thing in Henry VIII to cut off his wives' heads, and not much better in Queen Elizabeth to sign Essex's death warrant. There is no play of imagination about him—no whim, no wit—he would as soon think of launching a man of war, as maintaining a paradox."

The subjoined sentiment is beautifully expressed:

"Ah, is there any happiness like that of the affections! from the soul-absorbing influence of individual love, through all the endearing gradations of natural ties, and selected friends, down to the generalized claims of our fellow-creatures: it will ever be found that all our real enjoyments are solid only as the feelings of the heart are connected with them; and long after the traces of external objects may be effaced from the memory, the kindly sentiments and participated feelings, with which they may have been connected, remain indelible in the interior recesses of the breast, which they fill with a sweet indistinctness of recollected enjoyment."

And how much truth in Catherine's criticism of Byron:

"I cannot feel the beauties of any poetry whatsoever," said Catherine, "when I think the poet has no feeling himself—I have admired many passages in Lord Byron's earlier works, even to enthusiasm; but when I came to his most unfeeling mockery of the agonizing sympathies he had raised in his description of a storm, by the odious levity with which he concludes it, I closed the book, and never read another page of his writing. I thought of it ever after as of those monstrosities in painting, of beautiful heads, and cloven feet, and it inspired me with the same disgust."


North American Review, No. LXXXVIII: July 1835.—The last number of this periodical contains several admirable articles. We subjoin a list of its contents:

Art. I. A Tour on the Prairies, by the author of the Sketch Book.—II. The American Almanac for the year 1835.—III. Memoirs of Casanova.—IV. Machiavelli.—V. Life and Character of William Roscoe.—VI. Mrs. Butler's Journal.—VII. Dunlap's History of the Arts.—VIII. Slavery; an Appeal in favor of that Class of Americans called Africans, by Mrs. Child.—IX. Audubon's Biography of Birds.-X. Webster's Speeches.