In unison with the division here made of the associating principles, it is easy to explain the character of three distinct orders of mind, which will of course appear widely different in the conversational displays of the social circle. There is, first, the common mind, associating its ideas together by palpable resemblance or contrast among them, and by the mere casual and loose contiguity in time and place. Secondly, the poetical or sentimental mind, associating principally by resemblance or contrast in the effects produced by objects or the emotions which they excite. And thirdly, the philosophical mind, associating principally by necessary contiguity in time and place, by cause and effect, premises and conclusions.
Such a mind as the first, is most impressed with the details and occurrences around. It never ascends to the original contemplation of ideas and thoughts which belong to the region of philosophy and poetry. It may, it is true, recollect sometimes, distant and beautiful analogies, or even philosophical associations, but it is purely because it has heard these things spoken of by others, and not from original conception. Such a mind has no creative power of its own; as it receives so does it pour forth, without alteration. It has been well compared to the cistern into which water is poured; you have nothing to do but turn the cock and out it comes (as one of our newspaper editors recently observed, in relation to a different subject,) "water, dirt, sticks, bugs, pine tags and all!" Such a mind has no productive power whatever. In this flood of details, you see no connecting principle like cause and effect, premises and conclusions, &c.—but this thing is remembered because it is like that. This fact is now related because it was spoken at the same time with that, or in the same place. Such an individual as this has, as Diderot expresses it, "une tête meublée d'un grand nombre de choses disparates," which he says resembles a library with mismatched books, or a German compilation garnished, without reason and without taste, with Hebrew, Arabic, Greek, and Latin.
Such individuals as these are more pleasing and amusing to us in conversation, when the mind is not otherwise engaged, than most of us are willing to allow. They spread before us a promiscuous feast of neighborhood news, and like Mathews the comedian, although there be but one speaker, they give you the sayings, the conjectures, the shrugs, and the winks of all the parties concerned, and thus give to their communications quite a dramatic effect. Barbers, midwives, seamstresses, hostesses, &c. cultivate this kind of association to the greatest pitch of perfection. Their professions may be said to demand it.
Such individuals, when called into court to give testimony, are sometimes exceedingly amusing, from the pertinacity with which they detail all, even the most minute circumstances, and when interrupted because of the irrelevancy or illegality of their testimony, they are very apt to begin again at the very beginning of their narrative. In the minuteness of their remembrances they are like Mrs. Quickly in the play, when she wishes to make Falstaff remember the time when he promised to marry her.10 The Cicerone of Italy have generally memories of the same description.
10 This has generally been adduced by the metaphysicians since the time of Lord Kames, as an exemplification of this minute memory, and it illustrates so well the remarks which I have been making above, that I cannot forbear to add it in a foot note.
Falstaff. What is the gross sum that I owe thee?
Hostess. Marry, if thou wast an honest man, thyself and thy money too. Thou didst swear to me on a parcel gilt goblet, sitting in my Dolphin Chamber, at the round table, by a sea coal fire, on Wednesday in Whitsun week, when the prince broke thy head for likening him to a singing man of Windsor, thou didst swear to me then, as I was washing thy wound, to marry me, and make me my lady, thy wife. Canst thou deny it? Did not good wife Keech, the butcher's wife, come in then, and call me gossip Quickly? coming in to borrow a mess of vinegar; telling us she had a good dish of prawns; whereby thou didst desire to eat some; whereby I told thee they were ill for a green wound. And didst not thou when she was gone down stairs desire me to be no more familiarity with such poor people, saying that ere long they should call me Madame! and didst thou not kiss me, and bid me fetch thee thirty shillings? I put thee now to thy book oath, deny it if thou canst.—Sec. Part, Hen. 4, Act 2d. Scene 2.
Individuals of this character are the little chroniclers of the day. They are the little historians of the little events transpiring around them. They form a sort of cement for society—they furnish a species of connecting link between the past and the present. They embalm for a few years the memory of those who would otherwise have passed away and been forgotten. The smallest and greatest of the human race love fame. The temple at Ephesus was burnt down for fame, and it is the character which I have just been describing that gives a little fame to classes that would never have been heard of, and in old age such a being can tell the young around him of the deeds and achievements of their sires and grandsires and great grandsires. Such individuals as these are remarkable for very exact memories, and as they are never persons of much comprehension of mind, it has been generally imagined that good memories are rarely accompanied with good understandings. Hence the couplet of Pope,
| "When in the mind the Memory prevails, The more solid power of the understanding fails." |
This however is but one form which the memory assumes, and consequently we must draw no enlarged inferences from it. Women have generally much more of this memory than men. The sphere in which they move, the occupations in which they are engaged, the lesser necessity on their part for original thought and action of mind, all tend to produce this character.