The philosopher had other weaknesses—but they are scarcely worthy of our serious examination. For example, there are few men of extraordinary profundity who are found wanting in an inclination for the bottle. Whether this inclination be an exciting cause, or rather a valid proof of such profundity, it is impossible to say. Bon-Bon, as far as I can learn, did not think the subject adapted to minute investigation—nor do I. Yet in the indulgence of a propensity so truly classical, it is not to be supposed that the Restaurateur would lose sight of that intuitive discrimination which was wont to characterize, at one and the same time, his Essais and his Omelettes. With him Sauterne was to Medoc what Catullus was to Homer. He would sport with a syllogism in sipping St. Peray, but unravel an argument over Clos de Vougeot, and upset a theory in a torrent of Chambertin. In his seclusions the Vin de Bourgogne had its allotted hour, and there were appropriate moments for the Côtes du Rhone. Well had it been if the same quick sense of propriety had attended him in the peddling propensity to which I have formerly alluded—but this was by no means the case. Indeed, to say the truth, that trait of mind in the philosophic Bon-Bon did begin at length to assume a character of strange intensity and mysticism, and, however singular it may seem, appeared deeply tinctured with the grotesque diablerie of his favorite German studies.
To enter the little Café in the Cul de Sac Le Febvre was, at the period of our tale, to enter the sanctum of a man of genius. Bon-Bon was a man of genius. There was not a sous-cuisinier in Rouen, who could not have told you that Bon-Bon was a man of genius. His very cat knew it, and forbore to whisk her tail in the presence of the man of genius. His large water-dog was acquainted with the fact, and upon the approach of his master, betrayed his sense of inferiority by a sanctity of deportment, a debasement of the ears, and a dropping of the lower jaw not altogether unworthy of a dog. It is, however, true that much of this habitual respect might have been attributed to the personal appearance of the metaphysician. A distinguished exterior will, I am constrained to say, have its weight even with a beast; and I am willing to allow much in the outward man of the Restaurateur calculated to impress the imagination of the quadruped. There is a peculiar majesty about the atmosphere of the little great—if I may be permitted so equivocal an expression—which mere physical bulk alone will be found at all times inefficient in creating. If, however, Bon-Bon was barely three feet in height, and if his head was diminutively small, still it was impossible to behold the rotundity of his stomach without a sense of magnificence nearly bordering upon the sublime. In its size both dogs and men must have seen a type of his acquirements—in its immensity a fitting habitation for his immortal soul.
I might here—if it so pleased me—dilate upon the matter of habiliment, and other mere circumstances of the external metaphysician. I might hint that the hair of our hero was worn short, combed smoothly over his forehead, and surmounted by a conical-shaped white flannel cap and tassels—that his pea-green jerkin was not after the fashion of those worn by the common class of Restaurateurs at that day—that the sleeves were something fuller than the reigning costume permitted—that the cuffs were turned up, not as usual in that barbarous period, with cloth of the same quality and color as the garment, but faced in a more fanciful manner with the particolored velvet of Genoa—that his slippers were of a bright purple, curiously filagreed, and might have been manufactured in Japan, but for the exquisite pointing of the toes, and the brilliant tints of the binding and embroidery—that his breeches were of the yellow satin-like material called aimable—that his sky-blue cloak resembling in form a dressing-wrapper, and richly bestudded all over with crimson devices, floated cavalierly upon his shoulders like a mist of the morning—and that his tout ensemble gave rise to the remarkable words of Benevenuta, the Improvisatrice of Florence, "that it was difficult to say whether Pierre Bon-Bon was indeed a bird of Paradise, or the rather a very Paradise of perfection."
I have said that "to enter the Café in the Cul-de-Sac Le Febvre was to enter the sanctum of a man of genius"—but then it was only the man of genius who could duly estimate the merits of the sanctum. A sign consisting of a vast folio swung before the entrance. On one side of the volume was painted a bottle—on the reverse a Paté. On the back were visible in large letters the words Æuvres de Bon-Bon. Thus was delicately shadowed forth the two-fold occupation of the proprietor.
Upon stepping over the threshold the whole interior of the building presented itself to view. A long, low-pitched room of antique construction was indeed all the accommodation afforded by the Café in the Cul-de-Sac Le Febvre. In a corner of the apartment stood the bed of the metaphysician. An array of curtains, together with a canopy à la Gréque gave it an air at once classic and comfortable. In the corner diagonally opposite appeared, in direct and friendly communion, the properties of the kitchen and the bibliothéque. A dish of polemics stood peacefully upon the dresser. Here lay an oven-full of the latest ethics—there a kettle of duodecimo melanges. Volumes of German morality were hand and glove with the gridiron—a toasting fork might be discovered by the side of Eusebius—Plato reclined at his ease in the frying pan—and cotemporary manuscripts were filed away upon the spit.
In other respects the Café de Bon-Bon might be said to differ little from the Cafés of the period. A gigantic fire-place yawned opposite the door. On the right of the fire-place an open cupboard displayed a formidable array of labelled bottles. There Mousseux, Chambertin, St. George, Richbourg, Bordeaux, Margaux, Haubrion, Leonville, Medoc, Sauterne, Bârac, Preignac, Grave, Lafitte, and St. Peray contended with many other names of lesser celebrity for the honor of being quaffed. From the ceiling, suspended by a chain of very long slender links, swung a fantastic iron lamp, throwing a hazy light over the room, and relieving in some measure the placidity of the scene.
It was here, about twelve o'clock one night, during the severe winter of ——, that Pierre Bon-Bon, after having listened for some time to the comments of his neighbors upon his singular propensity—that Pierre Bon-Bon, I say, having turned them all out of his house, locked the door upon them with a sacre Dieu, and betook himself in no very pacific mood to the comforts of a leather-bottomed arm-chair, and a fire of blazing faggots.
It was one of those terrific nights which are only met with once or twice during a century. The snow drifted down bodily in enormous masses, and the Café de Bon-Bon tottered to its very centre, with the floods of wind that, rushing through the crannies in the wall, and pouring impetuously down the chimney, shook awfully the curtains of the philosopher's bed, and disorganized the economy of his Paté-pans and papers. The huge folio sign that swung without, exposed to the fury of the tempest, creaked ominously, and gave out a moaning sound from its stanchions of solid oak.
I have said that it was in no very placid temper the metaphysician drew up his chair to its customary station by the hearth. Many circumstances of a perplexing nature had occurred during the day, to disturb the serenity of his meditations. In attempting Des Æufs à la Princesse he had unfortunately perpetrated an Omelette à la Reine—the discovery of a principle in Ethics had been frustrated by the overturning of a stew—and last, not least, he had been thwarted in one of those admirable bargains which he at all times took such especial delight in bringing to a successful termination. But in the chafing of his mind at these unaccountable vicissitudes, there did not fail to be mingled a degree of that nervous anxiety which the fury of a boisterous night is so well calculated to produce. Whistling to his more immediate vicinity the large black water-dog we have spoken of before, and settling himself uneasily in his chair, he could not help casting a wary and unquiet eye towards those distant recesses of the apartment whose inexorable shadows not even the red fire-light itself could more than partially succeed in overcoming.
Having completed a scrutiny whose exact purpose was perhaps unintelligible to himself, Bon-Bon drew closer to his seat a small table covered with books and papers, and soon became absorbed in the task of retouching a voluminous manuscript, intended for publication on the morrow.