EDITORIAL REMARKS.
In presenting the fourth number of the "Messenger" to the public, we are gratified in announcing the continued support of our friends and correspondents, and the increasing ardor with which the work is patronized. Far more to the great cause of southern literature, than to our own humble efforts, is it owing that we are encouraged from a variety of quarters to persevere in our labors; and our generous well wishers may rely, that we are not disposed to look back or falter in our course,—borne as we are upon the "full tide of successful experiment." Let but our friends continue to take an interest in our cause, and this work will soon be placed beyond contingent evils. It will become the arena, where southern minds especially, may meet in honorable collision; and when we say southern minds, let us not be understood as slighting or undervaluing the rich and valuable aid which we hope to receive from our northern and eastern brethren. Far from it. We desire to emulate their own noble efforts in behalf of American literature, and to stir up our more languid countrymen, to imitate their industry, and to hope for their success.
The rights and duties of the editorial chair, especially in the infancy of a literary work, are extremely delicate. Taste is so subtle, variable and uncertain a quality, that, for an editor to establish his own, as a fixed and immutable standard—would seem invidious, if not absolutely odious. On the other hand, some judgment and discrimination must be exercised, or the consequences might be still more injurious. The indiscriminate admission of all pretenders, would be disparaging and unjust to those whose claims are unquestionable. The true view of the subject we take to be this—not to exclude all contributions which do not display a high degree of merit—especially if their authors are young and evince a desire to excel. One object of a work like the "Messenger," is to improve the exercise of thought and the habit of composition. A literary novice, when he sees himself in print, and contrasts his productions with those of more mature minds and more practised hands, will rouse himself to greater effort. It may encourage and stimulate him to more decided and brilliant exertion. Fine writing is not the acquisition of a day or a year; it requires, in order to the full attainment of success,—long, continued and unwearied application.
We make these remarks, because we are not entirely satisfied ourselves, with all the articles either in prose or verse, admitted into the present number. We did not think, however, that any of them deserved exclusion. In some of those which are published, may be perceived undoubted indications of genius,—and in the rest, evidences of high capacity to excel.
In noticing some of the pieces, we hope it will not be supposed that we pass sentence of inferiority upon such as we omit to mention. Our object is to ask the particular attention of the reader to those which have afforded us peculiar pleasure.
It is with unalloyed satisfaction, that we continue the very able and interesting account of "Tripoli and the Barbary States." The author has thrown around authentic narrative, all the charms of romance; and we perfectly agree with a contemporary editor in this city, that he has reached in a very high degree the interest and dignity of the true historic style.
The description of Howard's Bottom, under the head of "Western Scenery," will be at once recognized as the production of a practised and polished pen.
If the "Hints to Students of Geology," by an able proficient in the science, shall serve to stimulate the languor which prevails in Virginia on that subject, we shall be more than gratified.
In the "March of Intellect," by V, there is a singular mixture of the serious and comic—of truth and caricature—which may not perhaps be agreeable to all readers. All, however, will concede to the author, vigor and fertility of mind,—with much of the "copia verborum" in style. We should have taken the liberty to apply the pruning knife to the luxuriant foliage of the "Seasons," from the same pen,—had we not feared doing some injury to the fruit. The author has only to cultivate his fine talents, in order to attain a high rank in the art of composition.