The "Lines on Barlow's Monument," by the celebrated Helen Maria Williams, and now published for the first time, need no praise from our pen; neither do the two original productions of Mrs. Sigourney, which we take great pleasure in inserting.
It would be doing us much injustice to suppose that the pieces which we do not particularly notice, are for that reason lightly esteemed. Whilst there are, it is true, degrees in the pleasure with which we regard the favors of contributors, their insertion ought to forbid the idea that any are unwelcome.
TO CONTRIBUTORS, CORRESPONDENTS, &c.
We thank our correspondent C. W. L. for pointing out the resemblance between the little epigram entitled "The Mistake Corrected," in our last, and the "Surprise," in Little's poems, which he quotes. The resemblance is certainly strong, and it is quite probable that the former if not borrowed was at least suggested by the latter. We cannot agree however, that it is a "plagiarism," in the proper sense of that term; for we know too well the personal and literary character of the gentleman who presented us with the trifle referred to, to suspect him for a moment of so paltry a proceeding. We rather conclude therefore, that its resemblance to Moore's bagatelle, is either the result of casual coincidence,—or more probably, perhaps, of an accidental mistake of the product of memory for that of fancy; a kind of mistake which those who have read much are very liable to make.
We assure our correspondent B. R. B. that we have carefully compared the lines published in our last with his manuscript, and find them to correspond verbatim. He wrongs us much if he thinks we would do him wilful injustice; and if one word has been substituted for another in the lines referred to, so as to change their sense, he must ascribe it to himself. We hope with this explanation he will excuse us from inserting his letter at full length.
There is a great deal of feeling in many of the communications sent to the publisher by T. H. C., M.D.; but to our poor taste, there is not much poetry. We question whether the Doctor will not find the lancet and pill box of more profit in that warm region to which he has emigrated, than the offerings of his prolific muse. The poetical manufacture depends more upon the quality than the quantity of its fabrics, for success.
We have received the following communication since the publication of our last number, from "Fra Diavolo," (Horresco referens!) which, as it is brief, we spread before our readers. His sneers at our "literary morality" and "critical acumen," we receive with great composure. Perhaps indeed, our vanity might be wounded if we had a tithe only of what seems to belong to the writer himself; but as our pretensions are very humble, we care not a farthing whether they are disputed or not. His request not to publish his poetry, (except on his own terms) shall be complied with; and should we consign his impure effusions to the flames, as he also desires, the world will have little or no cause to regret it. So long as we can secure the rich contributions received from other quarters, we shall console ourselves with the loss of "Fra's" favors, and even endeavor to survive his unprovoked resentment. To "give the devil his due," however, we shall continue to lament the downward flight of our correspondent's muse; and uninitiated as we profess to be in the sublime mysteries of the school to which he belongs, we shall even be so perverse as to prefer the "modest mien and plain attire" of mediocrity, to the more flashy but less useful adornments of brilliant but misguided genius. One word in justification of ourselves. We did not admit the "Doom" into our columns without reluctance; a reluctance which nothing would have overcome but the conviction that a useful moral might be deduced from the fate of the "Lover Fiend," who figures as the hero of the story. As to the "Passage of the Beresina," whether it be "balderdash" or not, is matter of taste and opinion. One thing is certain; it is from the pen of a highly accomplished scholar.
Mr. White,—I have just seen your sixth number of the Southern Literary Messenger, and shall decline having my contribution published on condition of any improvement of the poetry by your most chaste and wise editor. The admission of such balderdash as the "Doom" and "The Passage of the Beresina," is quite enough evidence of his literary morality and good taste. I require no further token of it; least of all in my own case, where I am to be martyred at the shrine of such critical acumen—God save the mark! Put the manuscript into the fire, and oblige yours,