We have also visited the Diorama, the Georama and the Neorama, the royal printing office, the manufactory of plate glass and the hospital of the "Quinze Vingts." A diorama you have seen. A georama is a panoramic representation of the earth with its divisions of land and water; the spectator standing in the centre. A neorama is a painting so ingeniously designed and arranged, as to produce the illusion of your being within whatever building it represents. The one we saw is a picture of the interior of St. Peter's at Rome, and Mr. Dorval who has been there says it is an exact copy. The royal printing office is an establishment of great magnitude. There is a vast collection of types and several hundred presses. We were informed that Pope Pius VII visited this office during his sojourn in Paris, and that while he was there the Lord's prayer was printed in no less than 150 languages and presented to him. At the plate glass manufactory we beheld mirrors of wonderful magnitude. The plates are cast at Cherbourg and at St. Gobin, (a castle in the department of Aisne) and sent here to be quick-silvered and polished. Eight hundred workmen are constantly employed in the business. The French are indebted to the great Colbert for this establishment; prior to its foundation plate glass could only be had by sending for it to Venice. Having satisfied our curiosity here, we proceeded to the hospital of the "Quinze Vingts," founded by St. Louis in 1220 for the maintenance of 300 blind—a larger number is now admitted. It was customary in the age of St. Louis to count by twenties, and there being 15 twenties in 300 this institution derived its appellation from having that number of pensioners. We were pleased with the neatness and comfort that reigned, and arrived there just in time to hear a class of the blind sing and play; for those who evince a talent for music are instructed in it. The women were the vocalists and the men performed on various instruments. Even the leader was sightless! They kept time very well and we enjoyed their concert exceedingly, though the distorted faces some made while singing were horrible. They are taught a variety of trades, and not only reading but the art of printing, and we saw a man arrange the types and print several words with both skill and quickness. The types were extremely large and made of wood, and no ink was used in the operation, but the letters pressed on the paper, so as to leave the traces of them perceptible to the slightest touch.

On Wednesday we went to the castle of Vincennes, a gothic fortress, about three miles from the city. It contains the state prisons and an armory. A note to the commandant, from Mr. Warden, the American Ex-Consul and a kind friend of the Danvilles, gained us admission, and we spent two hours in examining the castle within whose gloomy turrets, nobles and monarchs have sighed in captivity. The celebrated Mirabeau was a prisoner there during four years, and there wrote his letters between Gabriel and Sophie. The duke d'Enghien was shot in a moat of this castle—the spot where the execution took place is designated by a willow tree and a black column, bearing this inscription, "Here he fell." In the chapel is a handsome mausoleum enclosing his ashes. Returning from Vincennes we stopped on the Place de la Bastille (once occupied by that terrific building) to view the model of the fountain of the Elephant. It is of plaster, and 72 feet high! A tower on the animal's back is to serve as a reservoir for the water which is to flow from the proboscis, and one of the legs is to contain the stair case leading to the tower. The whole mass is to be of bronze, but it is doubtful if this grand fountain will ever be made; it was one of Napoleon's gigantic designs, which adversity and death prevented his accomplishing. Last night we witnessed the wonder of an Elephant acting a part in a play at the Cirque Olympique, a theatre of the same description as that of Astley's in London. The house was crowded almost to suffocation, and the docile and astonishing creature excited universal admiration by her performance. She is called "Mam'selle Dyjeck," is a native of the island of Ceylon, and was purchased from some Indian jugglers by Monsieur Huguet her present owner. She is so attached to him that she shews evident distress if he is long absent from her, and extreme delight when he returns. If he be fatigued or indisposed, it is said that she even undresses him, puts him to bed and watches by him while he rests. Travellers I know are expected to exaggerate, but I assure you I am not availing myself of the privilege in the present instance. The play was entitled "l'Elephant du roi de Siam," and was written expressly to exhibit the address and sagacity of M'lle Dyjeck, who really acted throughout as if she were a human being. At the close of the performance the audience vociferated for her re-appearance, and after a few moments elapsed the curtain was raised and the royal lady came forth proudly tossing her trunk. She advanced to the edge of the stage and made three courtesies, retreating all the while, and looking round on the spectators as she rose, until she had sufficiently receded, she walked off amidst a roar of applause. It was quite an inspiring scene. The Duchess of Berri and her suite were present.

Apropos—Madame F. lately gave us a most interesting account of her Highness' children, the little Duke of Bordeaux and M'lle Louise. She says they are both remarkably amiable and le petit Duc holds a levee daily, is dressed en militaire and assumes all the airs of a grown gentleman. He is so proud of his sword, that the severest penalty his tutor can inflict, when he misbehaves, is to deprive him of it. He is a pretty boy—we have often met him taking an airing in his coach and four, surrounded by gens d'armes, for the Bourbons are so unpopular that for fear of his sharing the fate of his father, he is always strongly guarded whenever he appears in public. He pays dearly for his lineage, poor little fellow! and I never see him without thinking sorrowfully of the probability of his perishing by the ruthless hand of an assassin. But mercy! what a packet. Have patience dearest! with your

LEONTINE.

For the Southern Literary Messenger.

LINES

In recollection of Thomas H. White, who died at Richmond, Va. October 7, 1832, aged 19 years.

Was it a dream? It has pass'd away
As vanish dreams at the rising day,—
That graceful form, from the Saco's side,
That loved the leap of its dashing tide,
And watched full long, in the mild Moon's ray,
The rainbow tints of the rising spray.
Fair was that form; and the feature's glow,
True to the pulse of the Heart's warm flow,
Heighten'd at thought of those friends afar,
Who the aspect watched of his rising star;
With fervent prayer that that star might shed
Benignant influence upon his head.
With heart as joyous, and foot as light
As the wild young roe, he scaled the height—
The crystal sought in its mountain-bed,
And the fragrant wild flowers gathered;
Nature he loved in her freakish mood—
And sought her, deep in her solitude.
* * * * *
He is not now where the rapids play,
Or moonlight tinctures the rising spray;
Nor like the roe on the craggy height,
With heart as gay, and a foot as light;—
Did he hear the howl of the frost-god nigh,
And fly like the Birds to his native sky?
His native sky?—Ah! it brightly glows—
It cheers the bird and it scents the rose;
It wakes all nature to songs of joy—
But it smiles all vainly on thee, sweet Boy!
They laid, who loved thee, all lone and deep,
On the James' green shore, in thy last, long sleep!
Yes! 'twas a dream of Life's dreamy day!
Beautiful, fleeting, and vain as they!
Dreams of the heart, the mind, the eye,
Belov'd, how dearly!—how soon to fly!
They fade, they vanish, e'er dawns the morrow,
And the heart is left to its night of sorrow.