There is very little plot or connexion in the book before us; and Mr. Simms has evidently aimed at neither. Indeed we hardly know what to think of the work at all. Perhaps, with some hesitation, we may call it an historical novel. The narrative begins in South Carolina, during the summer of 1780, and comprises the leading events of the Revolution from the fall of Charleston, to the close of that year. We have the author's own words for it that his object has been principally to give a fair picture of the province—its condition, resources, and prospects—during the struggle between Gates and Cornwallis, and the period immediately subsequent to the close of the campaign in the defeat of the Southern defending army. Mr. S. assures us that the histories of the time have been continually before him in the prosecution of this object, and that, where written records were found wanting, their places have been supplied by local chronicles and tradition. Whether the idea ever entered the mind of Mr. Simms that his very laudable design, as here detailed, might have been better carried into effect by a work of a character purely historical, we, of course, have no opportunity of deciding. To ourselves, every succeeding page of "The Partisan" rendered the supposition more plausible. The interweaving fact with fiction is at all times hazardous, and presupposes on the part of general readers that degree of intimate acquaintance with fact which should never be presupposed. In the present instance, the author has failed, so we think, in confining either his truth or his fable within its legitimate, individual domain. Nor do we at all wonder at his failure in performing what no novelist whatever has hitherto performed.
Some pains have been taken in the preface of "The Partisan," to bespeak the reader's favorable decision in regard to certain historical facts—or rather in regard to the coloring given them by Mr. Simms. We refer particularly to the conduct of General Gates in South Carolina. We would, generally, prefer reading an author's book, to reading his criticism upon it. But letting this matter pass, we do not think Mr. S. has erred in attributing gross negligence, headstrong obstinacy, and overweening self-conceit to the conqueror at Saratoga. These charges are sustained by the best authorities—by Lee, by Johnson, by Otho Williams, and by all the histories of the day. No apology is needed for stating the truth. In regard to the "propriety of insisting upon the faults and foibles of a man conspicuous in our history," Mr. Simms should give himself little uneasiness. It is precisely because the man is conspicuous in our history, that we should have no hesitation in condemning his errors.
With the events which are a portion of our chronicles, the novelist has interwoven such fictitious incidents and characters as might enable him to bind up his book in two volumes duodecimo, and call it "The Partisan." The Partisan himself, and the hero of the novel, is a Major Robert Singleton. His first introduction to the reader is as follows. "It was on a pleasant afternoon in June, that a tall, well-made youth, probably twenty-four or five years of age, rode up to the door of the 'George,' (in the village of Dorchester,) and throwing his bridle to a servant, entered the hotel. His person had been observed, and his appearance duly remarked upon, by several persons already assembled in the hall which he now approached. The new comer, indeed, was not one to pass unnoticed. His person was symmetry itself, and the ease with which he managed his steed, and the"————but we spare our readers any farther details in relation to either the tall, well-made youth, or his steed, which latter they may take for granted was quite as tall, and equally well made. We cut the passage short with the less hesitation, inasmuch as a perfect fac-simile of it may be found near the commencement of every fashionable novel since the flood. Singleton is a partisan in the service of Marion, whose disposition, habits, and character are well painted, and well preserved, throughout the Tale. A Mr. Walton is the uncle of Singleton, and has been induced, after the surrender of Charleston (spelt Charlestown) to accept of a British protection, the price of which is neutrality. This course he has been led to adopt, principally on account of his daughter Katharine, who would lose her all in the confiscation of her father's property—a confiscation to be avoided by no other means than those of the protection. Singleton's sister resides with Col. Walton's family, at "The Oaks," near Dorchester, where the British Col. Proctor is in command. At the instigation of Singleton, who has an eye to the daughter of Col. Walton, that gentleman is induced to tear up the disgraceful protection, and levy a troop, with which he finally reaches the army of Gates. Most of the book is occupied with the ambuscades, bush fighting, and swamp adventures of partisan warfare in South Carolina. These passages are all highly interesting—but as they have little connexion with one another, we must dismiss them en masse. The history of the march of Gates' army, his fool-hardiness, and consequent humiliating discomfiture by Cornwallis, are as well told as any details of a like nature can be told, in language exceedingly confused, ill-arranged, and ungrammatical. This defeat hastens the dénouement, or rather the leading incident, of the novel. Col. Walton is made prisoner, and condemned to be hung, as a rebel taken in arms. He is sent to Dorchester for the fulfilment of the sentence. Singleton, urged by his own affection, as well as by the passionate exhortations of his cousin Katharine, determines upon the rescue of his uncle at all hazards. A plot is arranged for this purpose. On the morning appointed for execution, a troop of horse is concealed in some underwood near the scaffold. Bella Humphries, the daughter of an avowed tory, but a whig at heart, is stationed in the belfry of the village church, and her father himself is occupied in arranging materials for setting Dorchester on fire upon a given signal. This signal (the violent ringing of the church bell by Bella) is given at the moment when Col. Walton arrives in a cart at the foot of the gallows. Great confusion ensues among those not in the secret—a confusion heightened no little by the sudden conflagration of the village. During the hubbub the troop concealed in the thicket rush upon the British guard in attendance. The latter are beaten down, and Walton is carried off in triumph by Singleton. The hand of Miss Katharine is, as a matter of course, the reward of the Major's gallantry.
Of the numerous personages who figure in the book, some are really excellent—some horrible. The historical characters are, without exception, well drawn. The portraits of Cornwallis, Gates, and Marion, are vivid realities—those of De Kalb and the Claverhouse-like Tarleton positively unsurpassed by any similar delineations within our knowledge. The fictitious existences in "The Partisan" will not bear examination. Singleton is about as much of a non-entity as most other heroes of our acquaintance. His uncle is no better. Proctor, the British Colonel, is cut out in buckram. Sergeant Hastings, the tory, is badly drawn from a bad model. Young Humphries is a braggadocio—Lance Frampton is an idiot—and Doctor Oakenburg is an ass. Goggle is another miserable addition to the list of those anomalies so swarming in fiction, who are represented as having vicious principles, for no other reason than because they have ugly faces. Of the females we can hardly speak in a more favorable manner. Bella, the innkeeper's daughter is, we suppose, very much like an innkeeper's daughter. Mrs. Blonay, Goggle's mother, is a hag worth hanging. Emily, Singleton's sister, is not what we would wish her. Too much stress is laid upon the interesting features of the consumption which destroys her; and the whole chapter of abrupt sentimentality, in which we are introduced to her sepulchre before having notice of her death, is in the very worst style of times un peu passés. Katharine Walton is somewhat better than either of the ladies above mentioned. In the beginning of the book, however, we are disgusted with that excessive prudishness which will not admit of a lover's hand resting for a moment upon her own—in the conclusion, we are provoked to a smile when she throws herself into the arms of the same lover, without even waiting for his consent.
One personage, a Mr. Porgy, we have not mentioned in his proper place among the dramatis personæ, because we think he deserves a separate paragraph of animadversion. This man is a most insufferable bore; and had we, by accident, opened the book when about to read it for the first time, at any one of his manifold absurdities, we should most probably have thrown aside "The Partisan" in disgust. Porgy is a backwoods imitation of Sir Somebody Guloseton, the epicure, in one of the Pelham novels. He is a very silly compound of gluttony, slang, belly, and balderdash philosophy, never opening his mouth for a single minute at a time, without making us feel miserable all over. The rude and unqualified oaths with which he seasons his language deserve to be seriously reprehended. There is positively neither wit nor humor in an oath of any kind—but the oaths of this Porgy are abominable. Let us see how one or two of them will look in our columns. Page 174, vol. ii—"Then there was no tricking a fellow—persuading him to put his head into a rope without showing him first how d——d strong it was." Page 169, vol. ii—"Tom, old boy, why d——n it, that fellow's bloodied your nose." Page 167, vol. ii—"I am a pacific man, and my temper is not ungentle; but to disturb my slumbers which are so necessary to the digestive organs—stop, I say—d——n!—don't pull so!" Page 164, vol. ii—"Well, Tom, considering how d——d bad those perch were fried, I must confess I enjoyed them." Page 164, vol. ii—"Such spice is a d——d bad dish for us when lacking cayenne." Page 163, vol. ii—"Dr. Oakenburg, your d——d hatchet hip is digging into my side." Page 162, vol. ii—"The summer duck, with its glorious plumage, skims along the same muddy lake, on the edge of which the d——d bodiless crane screams and crouches." In all these handsome passages Porgy loquitur, and it will be perceived that they are all to be found within a few pages of each other—such attempts to render profanity less despicable by rendering it amusing, should be frowned down indignantly by the public. Of Porgy's philosophy we subjoin a specimen from page 89, vol. ii. "A dinner once lost is never recovered. The stomach loses a day, and regrets are not only idle to recall it, but subtract largely from the appetite the day ensuing. Tears can only fall from a member that lacks teeth; the mouth now is never seen weeping. It is the eye only; and, as it lacks tongue, teeth, and taste alike, by Jupiter, it seems to me that tears should be its proper business." How Mr. Simms should ever have fallen into the error of imagining such horrible nonsense as that in Italics, to be either witty or wise, is to us a mystery of mysteries. Yet Porgy is evidently a favorite with the author.
Some two or three paragraphs above we made use of these expressions. "The history of the march of Gates' army, his fool-hardiness, &c. are as well told as any details of a like nature can be told in language exceedingly confused, ill-arranged, and ungrammatical." Mr. Simms' English is bad—shockingly bad. This is no mere assertion on our parts—we proceed to prove it. "Guilt," says our author, (see page 98, vol. i.) "must always despair its charm in the presence of the true avenger"—what is the meaning of this sentence?—after much reflection we are unable to determine. At page 115, vol. i, we have these words. "He was under the guidance of an elderly, drinking sort of person—one of the fat, beefy class, whose worship of the belly-god has given an unhappy distension to that ambitious, though most erring member." By the 'most erring member' Mr. S. means to say the belly—but the sentence implies the belly-god. Again, at page 126, vol. i. "It was for the purpose of imparting to Col. Walton the contents of that not yet notorious proclamation of Sir Henry Clinton, with which he demanded the performance of military duty from the persons who had been paroled; and by means of which, on departing from the province, he planted the seeds of that revolting patriotism which finally overthrew his authority." It is unnecessary to comment on the unauthorized use here, of the word 'revolting.' In the very next sentence we see the following. "Colonel Walton received his guests with his accustomed urbanity: he received them alone." This language implies that Colonel Walton received those particular guests and no others, and should be read with an emphasis on the word 'them'—but Mr. Simms' meaning is very different. He wishes to say that Col. Walton was alone when his guests were ushered into his presence. At page 136, vol. i, the hero, Singleton, concludes a soliloquy with the ungrammatical phrase, "And yet none love her like me!" At page 143, vol. i, we read—"'That need not surprise you, Miss Walton; you remember that ours are British soldiers'—smiling, and with a bow was the response of the Colonel." We have no great difficulty herein guessing what Mr. Simms wishes to say—his actual words convey no meaning whatever. The present participle 'smiling' has no substantive to keep it company; and the 'bow,' as far as regards its syntactical disposition, may be referred with equal plausibility to the Colonel, to Miss Walton, to the British soldiers, or to the author of "The Partisan." At page 147, vol. i, we are told—"She breathed more freely released from his embrace, and he then gazed upon her with a painful sort of pleasure, her look was so clear, so dazzling, so spiritual, so unnaturally life-like." The attempt at paradox has here led Mr. Simms into error. The painful sort of pleasure we may suffer to pass; but life is the most natural thing in the world, and to call any object unnaturally life-like is as much a bull proper as to style it artificially natural. At page 148, we hear "that the disease had not yet shown upon her system." Shown is here used as a neuter verb—shown itself Mr. S. meant to say. We are at a loss, too, to understand what is intended, at page 149, vol. i, by "a look so pure, so bright, so fond, so becoming of heaven, yet so hopeless of earth." Becoming heaven, not of heaven, we presume should be the phrase—but even thus the sentence is unintelligible. At page 156, vol. i, a countryman "loves war to the knife better than degradation to the chain." This is a pitiable antithesis. In the first clause, the expression 'to the knife' is idiomatic; in the second, the words 'to the chain' have a literal meaning. At page 88, vol. i, we read—"The half-military eye would have studiously avoided the ridge," &c. The epithet "half-military" does not convey the author's meaning. At page 204, vol. i. Mrs. Blonay is represented as striding across the floor "with a rapid movement hostile to the enfeebled appearance of her frame." Here the forcing "hostile" to mean not in accordance with, is unjustifiable. At page 14, vol. ii, these words occur. "Cheerless quite, bald of home and habitation, they saw nothing throughout the melancholy waste more imposing than the plodding negro." The "cheerless quite" and the "bald of home and habitation" would refer in strict grammatical construction to the pronoun "they"—but the writer means them to agree with "melancholy waste." At page 224, vol. i, we find the following. "The moon, obscured during the early part of the night, had now sunk westering so far," &c. At page 194, vol. ii, we are informed that "General Gates deigned no general consultation." At page 13, vol. ii. "Major Singleton bids the boy Lance Frampton in attendance"—and at page 95, vol. ii, we have the singular phenomenon of "an infant yet unborn adding its prayer to that of its mother for the vengeance to which he has devoted himself"—a sentence which we defy his Satanic Majesty to translate.
Mr. Simms has one or two pet words which he never fails introducing every now and then, with or without an opportunity. One of these is "coil"—another, "hug"—another, and a still greater favorite, is the compound "old-time." Let us see how many instances of the latter we can discover in looking over the volumes at random. Page 7, vol. i—"And with the revival of many old-time feelings, I strolled through the solemn ruins." Page 13, vol. i—"The cattle graze along the clustering bricks that distinguish the old-time chimney places." Page 20, vol. i—"He simply cocked his hat at the old-time customer." Page 121, vol. i—"The Oaks was one of those old-time residences." Page 148, vol. i—"I only wish for mommer as we wish for an old-time prospect." Page 3, vol. ii—
| "Unfold—unfold—the day is going fast, And I would know this old-time history." |
Page 5, vol. ii—"The Carolinian well knows these old-time places." Page 98, vol. ii—"Look, before we shall have gone too far to return to them, upon these old-time tombs of Dorchester." Here are eight old-times discovered in a cursory glance over "The Partisan"—we believe there are ten times as many interspersed throughout the work. The coils are equally abundant, and the hugs innumerable.
One or two other faults we are forced to find. The old affectation of beginning a chapter abruptly has been held worthy of adoption by our novelist. He has even thought himself justifiable in imitating this silly practice in its most reprehensible form—we mean the form habitual with Bulwer and D'Israeli, and which not even their undoubted and indubitable genius could render any thing but despicable—that of commencing with an "And," a "But," or some other conjunction—thus rendering the initial sentence of the chapter in question, a continuation of the final sentence of the chapter preceding. We have an instance of this folly at page 102, vol. ii, where Chapter XII commences as follows: "But, though we turn aside from the highway to plant or to pluck the flower, we may not linger there idly or long." Again, at page 50 of the same volume, Chapter VII begins—"And two opposing and mighty principles were at fearful strife in that chamber." This piece of frippery need only be pointed out to be despised.