But it was at the table that his efforts to please were particularly conspicuous. He would post himself in the place of honor—seize the great carving-knife—cut up the meats with admirable promptness and dexterity, and carefully and politely wait upon every guest. He directed the servants, overlooked the courses, and tasted the wines. Then when the dessert was brought, he would take from his pocket a piece of pink paper, mysteriously unfold it, and sing from it a stanza in honor of the newly married couple, composed by himself expressly for the occasion. The good fellow knew but one little story and but one stanza, but he served them up every morning in a new edition.
Unfortunately this witty sharper was one day detected in his career of imposition. Seduced by the attraction of great names, he went to the marriage festival of a rich nobleman of the Fauborg St. Germain. He had assisted at the mass—returned in an elegant barouche to the hotel—had glided unobserved into the parlor, and stood waiting for a suitable opportunity to rehearse his amusing little story, and to commence his impromptu remarks, so often before repeated. All at once he became the object of general attention; all at once he found all eyes fixed upon him. The mistress of the feast had counted her plates and her guests, and had ascertained that of the latter there was one too many. She was astonished to find on inquiring the name of the Cousin, that no one knew him, and that no one recognized him as a friend. For the first time the Cousin of the Married lost his self-possession and his assurance. How was he to escape the gaze of the eyes fixed upon him? How was he to answer the questions which might be addressed to him? Presently, a gentleman advances towards him and asks—"By which of the married couple were you invited—on which side are you?"
"On which side?" said the Cousin of the Married, taking his hat, "on the side of the door;" and so saying, he quickly descended the stairs and left the house. Since that day no one has heard tell of him.
But if we have no longer the Cousin of the Married, we have now the Cousin of the Dead, an expression equally as significant as the first.
Ruined by the Revolution of 1793, the Count of V***, was obliged to accept of a very modest employment. In consequence of a change in the Ministry, the old clerk was compelled to leave his office, with no other resource to sustain life, than a miserable income of 400 francs per annum. He was old, and alone in the world. His strength did not permit him to labor, and by constantly dwelling on his poverty, he became melancholy, and subsequently fell dangerously sick. By carefully attending to the advice of a physician, who generously refused to accept the small sum the old man offered to give for his services, he became, in time, somewhat restored. This physician prescribed for his patient, on pain of a relapse, frequent exercise and a daily ride. You may judge of the poor man's embarrassment! How could he ride every day in a carriage, when his little income was scarcely sufficient to procure the essentials of life? The smallest excursion in a cabriolet cost twenty-five sous—one excursion per day would be four hundred and fifty francs per annum, and his whole yearly income amounted to only four hundred. At that time omnibusses were not invented.
He was beginning to despond when the heavens sent him succor. In passing near St. Rock, he observed that the gate of the church was hung in black, and that a long line of vehicles were in waiting to conduct a funeral procession to Père La Chaise. The coachmen were on their seats, and their strong and beautiful horses, covered with the trappings of mourning, were awaiting with impatience, the moment of departure. The advice of the physician recurred with great force to the mind of poor V***—a feeling of jealousy glided into his inoffensive heart. He envied the fortune of those who could thus ride gratis—he envied, for one instant, the happy destiny of the deceased, in being conveyed to his last earthly home, in a splendid hearse, drawn by four magnificent horses. Feeling a curiosity to know the name and history of one upon whom fortune had so lavished her favors, he entered the church and piously knelt down among the mourners. V*** had on his only black coat, and he was immediately taken for one of the friends of the deceased, and after the ceremonies in the church, was offered a place in one of the funeral carriages. The occasion was too opportune to be neglected, and he gladly jumped into the wished-for carriage.
On the way, a thousand ideas passed through his imagination. He thanked heaven for having furnished him with the means to fulfil, in so economical a manner, the recommendation of his physician. He accompanied the corpse to the grave—saw the coffin laid in the tomb, and on leaving the churchyard, he found the coach in waiting, and the coachman ready to convey him home.
Since that event V*** has become the willing assistant of all public interments; and what was, at first, only useful as a means of exercise, has become for him a pleasure and a delight. He goes to a funeral as others go to the theatre, to a ball, or to a festival. He daily reads the lists of deaths in the city, and these lists are to him a journal, and the only one for which he conceives there is any use. Still more, he has taken lodgings opposite the dwelling of the undertaker, and every morning he crosses the street to converse with the undertaker, and inform himself of the burials of the day. He puts on his blue surtout or his black dress, according to the rank and fortune of the deceased, the expenses of the funeral, &c., and for all grand ceremonies he wears crape on his arm. V*** is now generally known by the title of the Cousin of the Dead. For fifteen years he has not missed a single funeral. His views are too liberal to adopt party feelings; he has assisted to inter Bellart and Manuel, Talma and the Bishop of Beauvais, a female follower of St. Simon and the lady Superior of the Convent of Minimes, and he hopes to live to inter many other characters equally distinguished. He once presented to the Chamber of Deputies, a petition for a law interdicting the embalming of infants, by which the number of funeral processions is materially lessened.
The Cousin of the Dead possesses a remarkably expansive sensibility, and an extraordinary quantity of sympathy for the afflictions of others. He feels the grief of a bereaved mother, the despair of a heart-broken widow, the sorrow of a childless father, with the poignancy of truth. Many a legator, in noticing his sorrow at the grave, has taken him for a disinherited relative; many a mother has been gratified to see him shed tears over her favorite son, and many an husband, on losing a beloved wife, has been astonished at his grief over her remains. He composes funeral orations for all illustrious persons; the burial place is his life and his world. At times, struck with the appearance of grief depicted on his countenance, the friends of the dead have desired him to be the principal mourner.
One day, during the burial of a personage of considerable importance, the Cousin of the Dead was observed to shed an abundance of tears. One of the mourners approached him and desired that he would make a few appropriate remarks—jeter quelques fleurs sur le cercueil—on the individual whose remains they had just deposited in the cold grave. The procession closed around him as he prepared to speak.