when a letter from Dr. Blacklock, elicited by a perusal of the volume to which I have just now alluded, opened for him new prospects to his poetic ambition, by inviting him to Edinborough. Thither, then, he went—and his reception by all classes, ages and ranks, was as flattering as, in his most sanguine aspirations, he could have desired. Dr. Robertson, the celebrated historian, Dr. Blair, Dr. Gregory, Professor Stewart, Mr. McKenzie, and many more men of letters were particularly interested in his reception, and in the cultivation of his genius. He became, from his first entrance into Edinborough, the object of universal attention, and it seemed as if there was no possibility of rewarding his merits too highly. Mr. Lockhart, the latest and most eloquent of the numerous biographers of Burns, has a note, containing an extract from a letter of Sir Walter Scott, and furnished by the latter for his work, which is too interesting to be passed over. It relates to a personal interview of Sir Walter with our poet, during his first visit to Edinborough.
"As for Burns," writes he, "I may truly say, 'Virgilium vidi tantum.' I was a lad of fifteen in 1786–7, when he came first to Edinborough, but had sense and feeling enough to be much interested in his poetry, and would have given the world to know him: but I had very little acquaintance with any literary people, and still less with the gentry of the west country, the two sets that he most frequented." ... "As it was, I saw him one day at the late venerable Professor Fergusson's, where there were several gentlemen of literary reputation, among whom I remember the celebrated Mr. Dugald Stewart. Of course, we youngsters sat silent, looked, and listened. The only thing I remember, which was remarkable in Burns's manner, was the effect produced upon him by a print, with the ideas suggested to his mind upon reading the story whereof, (written under it) he was moved even to tears. He asked whose the lines were? and it chanced that nobody but myself remembered that they occur in a half forgotten poem of Langhorne's. I passed this information to Burns by a friend, and I was rewarded with a look and a word, which, though of mere civility, I then received, and still recollect, with very great pleasure." ... "His person," continues Sir Walter, "was strong and robust: his manners rustic, not clownish, a sort of dignified plainness and simplicity. There was a strong expression of sense and shrewdness in all his lineaments: the eye, alone, I think, indicated the poetical character and temperament. It was large, and of a dark cast, which glowed, (I say literally glowed,) when he spoke with feeling or interest." ... "I never saw another such eye in a human head, though I have seen the most distinguished men of my time. His conversation expressed perfect self-confidence, without the slightest presumption."
After making a few more observations with relation to the poet's conversation and manner, the writer I have been quoting concludes his reminiscence as follows:
"This is all I can tell you about Burns. I never saw him again, except in the street, where he did not recognise me, as I could not expect he should. I have only to add, that his dress corresponded with his manner. He was like a farmer, dressed in his best, to dine with the laird. I was told, but did not observe it, that his address to females was extremely deferential, and always with a turn to the pathetic or humorous, which engaged their attention particularly. I do not know that I can add any thing to these recollections of forty years since."
These are extracts, that, one day or other, will be looked upon as curiosities in literature, and will be inestimably precious: at present, I fear me, an apology should follow their introduction, at such length: but I shall only say in the language of another, in excuse for dwelling so long on this incident in the life of Burns, that it forms "the most remarkable phenomenon in the history of modern literature."
But if this, his first winter in Edinborough, produced a favorable effect upon the future fame of Robert Burns, as a poet, it was also the source of vast unhappiness to him, during his after life. Not only was he admitted to the company of men of letters and virtue, but he was pressed into the society of those, whose social habits, and love of the pleasures of life were their chief attractions. When among his superiors in rank and intelligence, his carriage was decorous and diffident: but among others, his boon companions, he, in his turn, was lord of the ascendant: and thus commenced a career, which, had its outset been a more prudent one, would probably not have closed until a later period, nor without a much greater measure of glory and honor to him, who was thus unfortunately misguided.
During the residence of Burns at Edinborough, he published a new and enlarged edition of his poems, and was thus enabled to visit other parts of his native country, and some parts of England beside. Having done this, he returned, and during most of the following winter, we find him again in the gay and literary metropolis, much less an object of novelty, and, of course, of general attention and interest, than before. Unable to find employment or occupation of a literary nature, he quitted Edinborough in the spring of 1788, and took the farm of Ellisland, near Dumfries: besides advancing 200l. for the liberation of his brother Gilbert from some difficulties into which certain agricultural misfortunes had involved him. He was, soon after, united to his "bonnie Jean," the theme of so much of his delightful verse, and employed himself in stocking and cultivating his farm, and rebuilding the dwelling house upon it. There is an anecdote of him in the history furnished by Dr. Currie, the truth of which Mr. Lockhart seems disposed to question: his doubts originate from a consideration of the absurd costume in which the older biographer has seen fit to invest the poet in his narration. As this is the only exception taken to it, and as it is certainly illustrative of Burns's character and manners in other respects, and as it is related, too, upon so good authority, I shall venture to introduce it in this, its proper place, in point of time.
"In the summer of 1791, two English gentlemen, who had before met Burns at Edinborough, paid a visit to him in Ellisland. On calling at his house, they were informed that he had walked out on the banks of the river; and, dismounting from their horses, they proceeded in search of him. On a rock that projected into the stream, they saw a man employed in angling, of a singular appearance. He had a cap, made of a fox's skin, on his head, a loose great coat fixed round him by a belt, from which depended an enormous Highland broadsword. It was Burns. He received them with great cordiality, and asked them to share his humble dinner; an invitation which they accepted. On the table they found boiled beef with vegetables and barley-broth, after the manner of Scotland, of which they partook heartily. After dinner, the bard told them ingenuously that he had no wine to offer them—nothing better than Highland whiskey, a bottle of which Mrs. Burns set on the board. He produced, at the same time, his punch-bowl, made of Inverary marble; and mixing the spirit with water and sugar, filled their glasses, and invited them to drink. The travellers were in haste, and besides, the flavor of the whiskey to their southron palates was scarcely tolerable: but the generous poet offered them his best, and his ardent hospitality they found it impossible to resist. Burns was in his happiest mood, and the charms of his conversation were altogether fascinating. He ranged over a great variety of topics, illuminating whatever he touched. He related the tales of his infancy and his youth; he recited some of the gayest, and some of the tenderest of his poems: in the wildest of his strains of mirth he threw in some touches of melancholy, and spread around him the electric emotions of his powerful mind. The Highland whiskey improved in its flavor; the bowl was more than once emptied, and as often replenished: the guests of our poet forgat the flight of time and the dictates of prudence; at the hour of midnight they lost their way in returning to Dumfries, and could scarcely distinguish it, when assisted by the morning's dawn."
On his farm at Ellisland, Burns continued some few years; but the novelty of his situation soon wore off, and then returned the irregularities, to which, from his warm imagination, and his love of society, and his independent turn of mind, he was so strongly predisposed. Fearing that his farm alone would be insufficient to procure for him that independence, which he had hoped one day or other to attain, he applied for and obtained the office of exciseman, or as it was vulgarly called guager, for the district in which he lived. About the year 1792, he was solicited to contribute to a collection of Scottish songs, to be published by Mr. Thompson, of Edinborough. Abandoning his farm, which, from neglect and mismanagement was by no means productive, and receiving from the Board of Excise an appointment to a new district, with a salary of 70l. per annum, he removed to a small house in Dumfries, and commenced the fulfilment of his literary engagement with Mr. Thompson. His principal songs were written during this time, and day after day was adding heighth and durability to the towering and imperishable monument, which will hand down his name and fame to many generations.
But now commences his rapid and melancholy decay, the fast withering consumption of his mental and physical faculties. His had been a short but brilliant course in literature—a short and melancholy one indeed, in other respects. Defeated in his hopes, mortified in the discovery that of the two classes of friends who offered him their society and their example in the outset of his career, he had chosen the least improving and efficient as his guides and counsellors—he fast declined into that common receptacle of dust which covers alike the remains of the gifted and the simple, the prudent and the weak. He was worn with toil and poverty, and disappointed hope.