The present number, we do not think equal as a whole to the March number, and still less to that for February—which latter may be safely placed in comparison with any single number of any Journal in existence for the great vigor, profundity, and originality of its articles. Yet we do not mean to say that the number now before us is not an admirable one, and fully equal to any of our Northern magazines in its communications, while it far surpasses the best of them in its Editorial department.

The first article is “MSS. of Benj. Franklin,” printed from MSS. in the hand-writing of Franklin himself, and never published in any edition of his works. It is unnecessary to say more than this to call public attention to so valuable a paper. “Lionel Granby,” chap. X. is the next prose article. We like this chapter as well if not better, than any of the former ones. The writer of these papers is evidently a man of genius—we might perhaps express our meaning more fully by saying that he has that degree of genius which enables him to appreciate, and keenly feel the labors of men of genius. Some of his detached passages may be considered as very fine. He has, however, no capacity to sustain a connected narrative of any length, and these chapters of “Lionel Granby” are consequently replete with the most ludicrous incongruities. They evince great ignorance of what is called the world. They are full of a shallow pedantry. Their style is excessively turgid, ungrammatical, and inconsequential. “The Prairie” is a delightful little sketch of real scenery. “Random Thoughts” is an excellent article, evincing much true learning and acumen. Such contributors as the author of this paper are invaluable to the Messenger. “Odds and Ends” is from the pen of Oliver Oldschool—a former correspondent of the Messenger. We believe Oliver Oldschool to be Mr. Garnett, the author of many excellent things on Female Education. His present essay is exceedingly amusing—but somewhat old fashioned. “The Hall of Incholese” by J. N. McJilton should not have been admitted into the columns of the Messenger. It is an imitation of the Editor's tale of Bon-Bon, and like most other imitations, utterly unworthy of being mentioned in comparison with its original. Nothing but the most extraordinary talent can render a tale of this nature acceptable to the present state of the public appetite. If not exceedingly good, it is always excessively bad. It must be a palpable hit or it is nothing. The “Lecture on German Literature” is in every respect worthy of the talents and learning of its author, George H. Calvert, Editor of the Baltimore American, and the writer of several popular works. It is a spirited and accurate sketch of German Literature from its origin to the present day. The Messenger should secure Mr. Calvert if possible. “Readings with my pencil, No. IV,” is a very good paper. “American Social Elevation” is the best communicated article in the present number, and perhaps one of the best, if not indeed the best (of a similar nature) which has ever appeared in any Journal in the country. Its philosophy is bold and comprehensive without being minute—its style fervid and exceedingly pure. From the initials and place of date, we are led to attribute this essay to Mr. Groesbeck of Cincinnati. “Verbal Criticisms” is a good paper, but we cannot agree with the critic in his strictures on the phrase “being built.”

The Editorial Department is (as it invariably is,) full, bold, vigorous and original. The first paper is “Lynch's Law,” and gives the history and origin, together with a copy of the law. Then follow Critical Notices. New works are reviewed—of Slidell's, of Professor Anthon's, of Mrs. Trollope's, of Paulding's, of Walsh's, of Cooper's, and of Mellen's. Praise and blame are distributed with the soundest discrimination, and with an impartiality, (even in the case of known friends,) which it is impossible not to admire; or to impeach.

The Poetical Department is quite limited. Two pieces by Mr. Poe are very beautiful, the one entitled “Irene,” in especial, is full of his rich and well-disciplined imagination. The lines on “Camilla” by Lambert A. Wilmer, are a perfect gem; full of antique strength and classic sorrow.


From the Baltimore Gazette.

The Southern Literary Messenger for April, has been received rather late in the day. Though the appearance of the Messenger is occasionally delayed (from us) longer than we might wish, yet we ever give it the cordial welcome which a most interesting and worthy friend never fails to receive at our hands. The present number, we perceive, contains less than the usual amount of matter, owing to the increase of the pages of the March number occasioned by the insertion of Professor Dew's valuable address upon the influence of the federative republican system of government upon literature and the development of character.

The long and able article on Maelzel's Chess Player, contained in this number, does credit to the close observation and acute reasoning of its author, who, as the article is published under the editorial head, we infer is the talented editor himself. The question whether or not the chess-player is a pure machine, is, we think, completely put to rest. The nature of the game of chess is such, that no machine, however ingeniously arranged may be its mechanism, could of itself perform its constantly varying operations. We have never, at any time, given assent to the prevailing opinion, that human agency is not employed by Mr. Maelzel. That such agency is employed cannot be questioned, unless it may be satisfactorily demonstrated that man is capable to impart intellect to matter: for mind is no less requisite in the operations of the game of chess, than it is in the prosecution of a chain of abstract reasoning. We recommend those, whose credulity has in this instance been taken captive by plausible appearances; and all, whether credulous or not, who admire an ingenious train of inductive reasoning, to read this article attentively: each and all must rise from its perusal convinced that a mere machine cannot bring into requisition the intellect which this intricate game demands, but on the contrary that every operation is the result of human agency, though so ingeniously concealed as to baffle detection, unless by long continued and close observation.

This question, so often, and in this instance so ably, examined, was settled in Baltimore several years ago, by the actual discovery of a man emerging from the top of the chest or box, on which Mr. Maelzel's figure moved the chess men, the lid, which moved on a pivot like some card table covers, being turned on one side. This was seen by two youths of respectable character, through a window, accidentally open, in the rear of the room in which Mr. Maelzel's Chess Player was exhibited. Of the truth of this discovery we are entirely satisfied.

The Lecture “On the Providence of God in the Government of the World,” from the original manuscript of Benjamin Franklin, and which has not hitherto been published in any edition of his works, is properly entitled to the first place in the columns of the Messenger. The argument of the Providence of God contained in this lecture, is admirable for its brevity and conclusiveness. Franklin reasoned well, and wrote as well as he reasoned. Forming his style after the model of the most chaste and classic writer of the English language, and drawing from the resources of a capacious and well stored mind, he never failed both to please and to instruct his readers. His aim was to benefit his countrymen; and he wrote for them in a way in which they could understand, appreciate, and profit by every thing that came from his pen. The epistles published more than a century ago in his Pennsylvania Weekly Gazette, contain many valuable hints respecting domestic economy, some of which might be treasured up with advantage at the present day; for, generally speaking, economy is not an American virtue. Two of those epistles, one from Anthony Afterwit, and the other from Celia Single, have made their appearance in this number of the Messenger. Neither of them, it seems, has been inserted in any of the editions of the Doctor's works.