It will be seen that a great many of these papers (we believe all of them) have been published before. It is not our design, therefore, to speak of them in detail. Perhaps an outline of some individual sketch, with an occasional reference to others, will be found to impart a sufficient idea of the general character of the whole. We open the book at random, and here are six or seven pages with the running title of Niagara. It will be a matter of some interest to see how a poet (one whom we know to be such) will think it proper to handle a subject so momentous.
Mr. Willis—Mr. Slingsby we mean—commences by dating his visit to the Falls, with reference not to any positive or acknowledged æra, but, relatively, to an æra in his personal experience. He does not say I went in 1810—or in 1820. “It was in my senior vacation,” says he, “and I was bound to Niagara for the first time.” We are thus slyly made acquainted with a trio of items, which, when duly considered, are to give weight and character to the subsequent details. We are informed, firstly—that Mr. Slingsby has been to college—secondly, and presumptively, that he graduated, (it is his senior vacation) and thirdly, that he has since paid other visits to Niagara, (he is on his way thither for the first time.) But in the narration of a trip to the great waterfall, some wit, some repartee, has been thought indispensable, and wit cannot so effectively be displayed, as by means of a foil. Our author, therefore, has a companion, and describes him. He is an ugly fellow, of course—seven feet high, ill-dressed, solemn, and sensible. We now see the advantage of all this—and are prepared for the Rembrandtities of contrast. To enjoy them in perfection we must imagine Mr. Slingsby (whom we never saw) as a delicate little gentleman, with a pretty face and figure—fair, funny, fanciful, fashionable, and frisky.
The friends leaving Buffalo cross the outlet of Lake Erie at the ferry, and take horses on the northern bank of the Niagara for the Falls. Mr. Slingsby during the ride, is now lost in admiration of the “noble stream hurrying on headlong to its fearful leap, as broad as the Hellespont, and as blue as the sky,” and now excessively merry at the expense of his ally and foil, “who rides along,” we are told, “like the man of rags you see paraded on an ass in the carnival.” Thus the narrative proceeds in a vein of mingled sentiment and very-good-joke. Let us give another example of this. “The river,” says Mr. Slingsby, “now broke into rapids foaming furiously, and the subterranean thunder increased like a succession of earthquakes, each louder than the last. [A bull.] I had never heard a sound so broad and universal. It was impossible not to suspend the breath, and feel absorbed, to the exclusion of all other thoughts, in the great phenomenon with which the earth seemed trembling to its centre. A tall misty cloud, changing its shape continually, as it felt the shocks of the air, rose up before us, and with our eyes fixed upon it, and our horses at a hard gallop, we found ourselves unexpectedly in front of a large white——hotel!”
Having eaten dinner at the large white hotel, Job Smith, the foil, is made to utter some of his solemn drolleries, forcing Mr. Slingsby [oh the quiz!] to leave the table and walk with a smile towards the window. A belle, Miss ——, is thus discovered, and introduced. Of her, “every soul of the fifteen millions of inhabitants between us and the Gulf of Mexico have heard.” She is, moreover, “one of those miracles of nature that occur, perhaps, once in the rise and fall of an empire.” Besides all this, she is “kind, playful, unaffected, and radiantly, gloriously beautiful.” Mr. Slingsby, therefore, adopts her as foil No. 2, for a species of sentimental gallantry—Job Smith being only foil No. 1, for light wit. It must now be seen at a glance that our author can hardly fail to make a decided hit of his visit to Niagara.
Having made an appointment with Miss —— to accompany her in the morning behind the sheet of the Fall, Mr. Slingsby goes to bed. Getting up at daybreak, however, he determines upon paying a solitary visit to the cataract. But Job (that droll fellow!) has anticipated him in this manœuvre, and “the angular outline of his tall gaunt figure, stretching up from Table Rock in strong relief against the white body of the spray,” is the first object that meets Mr. Slingby's eye as he descends. We have now his first impressions of Niagara. These are, in general terms, awe, and intense admiration, mingled with a little disappointment. We cut short the impressions (herein following the author's example) for the sake of some witticisms at the expense of Mr. Smith. It may be best to copy a page or two with a view of showing the pervading air with which the narrative is conducted.
“A nice fall, as an Englishman would say, my dear Job.”
“Awful!”
Halleck the American poet (a better one never “strung pearls”) has written some admirable verses on Niagara, describing its effect on the different individuals of a mixed party, among whom was a tailor. The sea of incident that has broken over me in years of travel, has washed out of my memory all but the two lines descriptive of its impression upon Snip:
“The tailor made one single note—
Gods! what a place to sponge a coat!”
“Shall we go to breakfast, Job?”