But how is it in the world of fashion? What is fashion? Many attempts have been made to define what in truth is undefinable. It is an empty name—a mere shadow, and yet is of substance sufficient to be felt and seen and understood almost every where. A popular English novelist, writing of his own country, says—“The middle classes interest themselves in grave matters: the aggregate of their sentiments is called OPINION. The great interest themselves in frivolities, and the aggregate of their sentiments is termed FASHION. The first is the moral representative of the popular mind—the last of the aristocratic.” But this definition is unsatisfactory. Fashion executes its decrees with as much energy and effect upon those who are excluded from its mystic circle, as upon them who reside within its pale; upon the popular mind as well as the aristocratic. Its frivolities bewilder and dazzle the multitude who abjure them, as well as the chosen few with whom they originate. Imagine this mysterious agent, or whatever it may be called, personified, and endowed with the majesty and power of a queen,—and what are her attributes? A fickle, inconstant, inscrutable and unscrupulous being—selecting her subjects from every rank and condition, and with every diversity in morals and intellect—yet investing them with an uniform and exclusive badge of distinction; exacting from her followers the most unbounded homage, and repaying them often with the sacrifice of peace, health, fortune, self-respect and virtue; instilling into those who throng around her throne the poison of impure and corrupting pleasures, and in those who are banished to the outer courts, awakening the worst passions of envy, discontent and hatred, added to a debasing sense of inferiority. Fortune is not more capricious in dispensing her favors than this empress of smiles and frowns. By her command, dullness is transformed into wit, and deformity into grace. The withered maiden of forty is arrayed in the matchless charms of blooming seventeen, and the notorious libertine becomes transmuted into the fascinating and agreeable companion. If a despot of bodily shape and form, were to cause his power and caprice to be felt in all the minute concerns and occupations of society; if he were to ordain laws regulating the dress—furniture—social intercourse and amusements of his subjects, and in so doing should levy an oppressive tax upon their fortunes, time and comforts—the spirit of freedom would circulate like the electric fluid from one end of the community to the other; the tyrant would be resisted with fearless and determined perseverance. And yet doth fashion issue her imperial decrees equally as despotic and calamitous in their effects, without other aid than the influence and magic of her name—whilst her subjects, so far from opposing resistance, render an implicit and delighted obedience to her mandates. And what is this inexorable arbitress at last but a name? What is this capricious and mysterious intermeddler in human affairs but a vain shadow? a creature of imagination only, and yet as powerful as Cæsar and Napoleon in all their glory! Shakspeare was wrong; there is much—there is every thing in names.
In that great concern of human society—the structure and action of the political machine, how does the matter stand? Are the governed portion of mankind—I mean a majority of them—influenced by things or names? The recorded experience of past ages, and our own particular observation, will answer the question. The master spirits who have ruled mankind with success, have studied the genius of the people with whom they lived. National glory was at one time, if it be not now, the passion of the French, and Napoleon well knew how to avail himself of a moral lever of such tremendous force. Administering to that all devouring and never satiated appetite, he found it an easy task to wade through tears and blood to the goal of his ambition. Preceding the period of his meteor-like and almost miraculous career, the French nation had been intoxicated by seraphic dreams of liberty and equality. Awakening from a long and gloomy night of slavery, they became suddenly bewitched by the doctrines of a new philosophy, (to them at least new,) which proclaimed the sovereignty of the people—and it was long before the horrors of Revolution could dispel the enchantment. The leaders in that dark and bloody episode of human history, retained their ascendancy so long as the names of liberty and equality could be skilfully employed for their purposes. An appeal to the people, or a compliment to their sovereign power, wisdom and virtue, was the daily prologue to those scenes of human butchery, which posterity will regard as incredible fictions. “Oh liberty!” said the beautiful Madame Roland, as she bowed her neck to the guillotine—“what crimes are committed in thy name!”
Are we free in our day from these disastrous influences? Have names no fatal magic with us—sufficiently fatal to unloose the bands of society—to subvert institutions, long cherished and venerated, and finally to dissolve the fairest fabric which ever realized the visions of hope, or the speculations of philosophy? Alas! have we not studied human nature enough to know, that all men are not honest and patriotic, and that some are sufficiently selfish, cunning, cruel and ambitious to work out their own designs, and accomplish their own evil desires, although calamity should overspread society, and millions go supperless to bed? Are there not hundreds of demagogues who are willing to flatter and wheedle and delude the people into final enslavement, if in the whirlwinds of their own creation they can ride into power and office? With what calm and shameless effrontery do such men constantly exert before our eyes a controlling power over the yet doubtful destinies of this infant republic! To fulfil the purposes of ambition, the vilest appeals are made to the lowest and basest passions of the multitude. The pride of democracy is a never failing chord to be skilfully touched, when some wicked design or atrocious mischief is meditated. The popular good—the welfare of the dear people—is the favorite string played upon by worn out political hacks and corrupt aspirants to office. Does a well tried and virtuous patriot stand in the way, and refuse his sanction to the bold assaults, or disguised and no less dangerous encroachments of power? He is instantly denounced as an odious and insidious aristocrat, and is forthwith delivered over to the tender mercies of the faithful—the great democratic republican family—the self-styled conservators of the only true and genuine principles of liberty—whose peculiar province it is to keep the republic pure, by a patriotic monopoly of all its offices and honors. It would indeed be perfectly amusing, if it were not at the same time a subject of sad contemplation, to hear the terms aristocratic and democratic, in the party contests of the day—familiarly applied to things and persons having no one quality—to justify such idle distinctions. The man for example who is “clothed in purple and fine linen, and fares sumptuously every day”—who drives his splendid equipage with liveried servants, who “lies down in luxury and rises in sloth”—that man is a member, or if you choose, the leader of the plain republican party—whilst the humble homespun pedestrian, who walks by the wheels of the other's chariot—whose bread is earned by the sweat of his brow, but who is sufficiently independent to think for himself—is denounced as an aristocrat, or what is worse, a Federalist of the genuine stamp—and is thought unworthy of all communion with the faithful, or at least of all participation in equal political benefits. Epithets are the powerful weapons with which bad and ambitions men have in all countries finally succeeded in overturning all that was valuable and good—all that was wise and beneficent; and unless the people of these States shall in time become sufficiently enlightened, to distinguish the qualities of things from their names, we shall assuredly ere long add another to that gloomy procession of republics, WHICH HAVE VANISHED FOREVER FROM THE EARTH.
H.
THE CITY OF SIN.
BY E. A. POE.
Lo! Death hath rear'd himself a throne
In a strange city, all alone,
Far down within the dim west—
Where the good, and the bad, and the worst, and the best,
Have gone to their eternal rest.
There shrines, and palaces, and towers
Are—not like any thing of ours—
Oh no!—O no!—ours never loom
To heaven with that ungodly gloom!
Time-eaten towers that tremble not!
Around, by lifting winds forgot,
Resignedly beneath the sky
The melancholy waters lie.
No holy rays from heaven come down
On the long night-time of that town,
But light from out the lurid sea
Streams up the turrets silently—
Up thrones—up long-forgotten bowers
Of sculptur'd ivy and stone flowers—
Up domes—up spires—up kingly halls—
Up fanes—up Babylon-like walls—
Up many a melancholy shrine
Whose entablatures intertwine
The mask—the viol—and the vine.
There open temples—open graves
Are on a level with the waves—
But not the riches there that lie
In each idol's diamond eye,
Not the gaily-jewell'd dead
Tempt the waters from their bed:
For no ripples curl, alas!
Along that wilderness of glass—
No swellings hint that winds may be
Upon a far-off happier sea:
So blend the turrets and shadows there
That all seem pendulous in air,
While from the high towers of the town
Death looks gigantically down.
But lo! a stir is in the air!
The wave—there is a ripple there!
As if the towers had thrown aside,
In slightly sinking, the dull tide—
As if the turret-tops had given
A vacuum in the filmy heaven.
The waves have now a redder glow—
The very hours are breathing low—
And when, amid no earthly moans,
Down, down, that town shall settle hence,
All Hades, from a thousand thrones,
Shall do it reverence,
And Death to some more happy clime
Shall give his undivided time.