The most servile are frequently the most arrogant. The possessor of these qualities will display the one or the other according to the condition of the person whom he encounters. For an individual who in the estimation of society holds a rank above him, he will be ready to perform any office, however menial: while to another, whose situation in life is more humble, he will be in the highest degree haughty and assuming. No man of proper feeling can entertain the least respect for such a character. How very different from that of Urbanus. His manner always shows a consideration for those whose station in society may be less desirable than his own. He feels the disposition to oblige, and never fails to indulge it when a proper occasion is presented. Let any individual of correct deportment be in want of aid which Urbanus can give, and no matter how humble his condition, that aid will be extended. Not so, however, when the man who wishes his services assumes a superiority over him. A laudable pride and a proper self-respect will then forbid what otherwise might be done. Urbanus will be courteous and polite to all, but in a state of subjection to none. He will take a pleasure in yielding, of his own free will, to talents, attainments, and high character, their just due. But this must be the result of his own opinion as to what is right, and not the effect of base submission to another's will.
C.
The communication which follows on the subject of that remarkable kind of "extemporaneous speaking" which has been long practised in some parts of Europe, but is entirely unknown in this country,—is entitled to the reader's attention not only on account of the source from which it is derived, but also from its intrinsic merit. An accomplished improvvisatore is certainly an intellectual phenomenon, of the existence of which we should be strongly inclined to doubt—if so many well attested facts did not establish it beyond all controversy. We hope that some one of our readers of taste and erudition will furnish a handsome translation of the Italian poetry which accompanies the article.
For the Southern Literary Messenger.
EXTEMPORANEOUS SPEAKING.
Astonishing as it may appear, there are men who can deliver extemporaneously, not only excellent orations and discourses, but also beautiful poems, tragedies and comedies. Exhibitions of this kind have been so frequent, that no deception can possibly exist. You may even specify the measure in which you desire the poetical production, and the verses, as if inspired, will flow from the lips of the improvvisatore, with ease, elegance, and beauty. When I was in Paris, Sgricci extemporized several tragedies in Italian.[1] Eugene Pradel delivered a poem on Columbus, and proposed to extemporize tragedies and operas in French. Manuel could at any time speak appropriately and eloquently without preparation. The number of improvvisatori is very great, and I might enumerate, if necessary, many of these distinguished men. Italy boasts of the names of several ladies who have acquired fame by their poetical extempore compositions, among whom I may mention the Bandettini, the Mazei and the Corilla. This fact being admitted, two questions arise—1st. Is it possible to acquire this wonderful talent? 2nd. What are the means to be employed in order to succeed in speaking extemporaneously?
To the first question, I answer affirmatively.—The talent of speaking extempore is always an acquired one: all good improvvisatori have followed a course of mental exercises. Illustrious men at first uttered a few words with stammering tongues, then spoke hesitatingly—and by proper combinations of their intellectual faculties, became the extraordinary improvvisatori, who excite wonder and admiration. Experience shows the truth of this assertion.
The second question is, what are the means to be employed in order to succeed in speaking extempore? They are numerous, and they must be pursued with that enthusiasm and perseverance, without which, a man can never reach the temple of fame: for he who feels the noble ambition of distinguishing himself from the crowd which surrounds him—he who wishes to leave traces of his passage on earth, and to raise a monument which ages shall not destroy—must be moved by an energetic spirit, and have the moral courage to banish mental indolence from his bosom—to shake off that apathy so fatal to intellectual improvement, and to imbibe that love of immortality, which will carry him triumphantly through his career. He will bear in mind meanwhile, that