Extracted from a Virginia Newspaper, Printed in 1775.
ON SLEEP.
| O sleep! what though of death thou art To be an image said, I wish thee still with all my heart, The partner of my bed. Thy company, soft sleep, then give, While in thy arms I lie; How sweet! thus, without life, to live! Thus, without death, to die! |
For the Southern Literary Messenger.
THE COTTAGE IN THE GLEN.
In traversing that region of country in the wilds of Maine, that borders one of her finest rivers, if you look carefully on your right hand as you pass through the town of ——, by the post-road, you may observe a cart-path leading directly into a thick wood, where the trees tower in majesty and beauty to the very clouds, and look as if they had thus stood ever since the day when "the heavens and the earth were finished, and all the host of them." Were it not for this same cart-path, with its three ridges of bright greensward, and its four lines of dusky brown, you might doubt whether the silent grandeur of the forest had ever echoed to the voice or the footstep of man.
There is something truly grand and impressive in forest scenery. The lofty trees stretching high toward heaven; the graceful and majestic waving of the branches, breathing nature's own soft music, which scarcely removes the impression of profound silence—or which, to parody the words of Milton, "just makes silence audible;" the deep, and seemingly "boundless contiguity of shade," and the awful solitude, make man shrink into himself, and feel that he is in the presence of the Eternal. The weak spirit of a creature frail as man, is soon overpowered, if it give itself up to the impressions naturally produced by contemplating, in solitude, the grandeur of creation. The first feeling is delight,—next admiration,—then wonder,—then awe,—and then oppression;—and when it arrives at this point, the sight of such a little cart-path as I have mentioned, is a great relief to the feelings: for it shows that a being having passions, and feelings, and sympathies like his own—as short lived, as dependant, as insignificant as himself, is, or has been near. The deep shade has been penetrated; the solitude has been interrupted; and an unbroken and eternal silence has not forever reigned in the forest.
If the reader wishes, we will follow this path, and see whither it will conduct us. Its course is a little devious, probably to avoid the trunks of the trees, for not one appears to have been felled to shorten the distance, which is about three fourths of a mile, under the unbroken shade of the same noble woodland. Now the path begins to descend a little, and by almost imperceptible degrees, you arrive in a valley lying between two lofty ridges, that become more and more abrupt as you advance; and when you have proceeded about the fourth of a mile, they seem nearly perpendicular on either side. And their summits being crowned by the lofty trees of the same far stretching forest, adds much to the apparent depth of the valley, and you feel as if verging towards the centre of the earth. That little ripling stream in the valley, beside which we have been walking, now begins to widen, and presently expands itself into a mimic lake, restrained on the one hand and on the other by the mountain side, leaving just room enough on the left for the unbroken cart-path. Your ear is now assailed by the sound of rushing waters, and a roof appears beyond the lake—so that a habitation of man is near. No, it is a mill; the dwelling house is sixty rods below: there it lies, on a beautiful swell in the narrow valley, made, it would seem, on purpose for its site—and the again diminished stream is softly murmuring by its side. That is the Cottage in the Glen. If you please, we will descend, and take our station in front of it. Before we turned that angle to attain this spot, you were about to exclaim, "This is the very home of solitude, shut out from the rest of creation." But look straight down the valley, and far—far off, see the picturesque and busy village of ——, and the sparkling waters of the river. The valley is so straight and narrow, and widens so gradually towards its mouth, and the banks on either side are so precipitous, that it produces the same effect on the scene beyond, that a tube does in viewing a picture. Is it not beautiful! Now if you will climb with me to the foot of that tree that stands part way up the bank, we will be seated in the shade, and I will give you a sketch of the inhabitants of the cottage.