MY NATIVE LAND, AND OTHER POEMS. By Frederick Speece. Philadelphia: Printed for Augustine Leftwich, Lynchburg, Virginia. 1832.
Having been obligingly furnished with a copy of these poems, we take pleasure in introducing them to the notice of the public. We are somewhat surprised to learn that although published two years since in Lynchburg, they have attracted no notice in that quarter, either of applause or censure. It is perhaps, more agreeable to an author, that his works should come under the lash of satire, than that they should pass altogether without observation. The chilling neglect of the public however, furnishes no stronger proof of a writer's demerit, than do the too frequent carpings of illiberal criticism. Some of the greatest poets have been doomed whilst living, to indigence and obscurity, and owe all their honors to posthumous fame; and it is asserted of Homer especially, that seven cities claimed the honor of his birth, not one of which perhaps would have furnished a morsel to save him from starving.
We design not to raise extravagant expectations respecting Mr. Speece's poems—nor can we hazard the conjecture that the praise of future times will compensate him for contemporary injustice. We do not hesitate however, to recommend his work as incomparably superior to much of that glittering trash which passes under the name of poetry. There is a vein of good sense,—of just and honest feeling—of tender melancholy—and sometimes of rich imagination—which runs through his volume, and which cannot fail to delight such readers as have any soul for poetical composition. His versification for the most part, is sweet and melodious—though occasionally there is a little inattention to syllabick quantity, which produces rather an unpleasant effect upon the ear. There are other faults too—but they are inconsiderable when compared with the many redeeming beauties which shine through the volume. The poem of "My Native Land," in its general tone and harmony of verse, brings to recollection Goldsmith's Deserted Village—and the "Sketches," which are also descriptive of the pleasures of juvenile life and the picturesque scenery of his native hills—contain many fine passages. In the "Juvenalis Redivivus"—the author has pointed the arrows of satire against men and manners with no little severity—so much so, that he has found it necessary in his preface to acknowledge that time had softened much of the harsh coloring which he had thrown into his pictures. Many of his minor pieces abound in beautiful thoughts, expressed in smooth and flowing numbers—and upon the whole we think if Mr. Speece had been sufficiently encouraged in early life to persevere in the delightful but unprofitable task of poetical authorship—he might have reached a highly respectable rank. The following passage from "My Native Land," will probably remind the reader of Cowper's touching address to his mother's picture.
| "My mother! Melancholy was the morn That found me orphaned, and almost forlorn. My friend! My guide! Oh, could not mercy save Her for her child, or lay me in her grave! Why cheer my drooping and unsheltered head, When to the skies her gentle spirit fled? Why bid me live, since riper years must pay Their long arrears to that lamented day? I had a mother, tender, kind and true, Her virtues many and her failings few; With warm solicitude and watchful eye, She taught me what to follow, what to fly; And warned me disappointment and distress In life must be my portion, more or less; That fierce disease would often banish health; Pride point the insolence of power and wealth; Folly and vice allure; pretended friends Abuse my confidence for private ends; And fears and sorrows, hovering round my head, Pursue me to my last and narrow bed. Yet would she say, in Virtue's path was found A balm to heal the bosom's deepest wound: Winged my young thoughts to better worlds above, There to repose my confidence and love. Her fond affection never would deceive, But these were things I could not then believe. Yet though her warnings vanished from my mind, Her precepts left a faithful trace behind;— In memory's careful records still remain, And long experience proves they were not vain." |
The same poem concludes in the following lines—being a farewell tribute to the place of his nativity.
We select a passage at random from the satiric poem, as a fair specimen of the author's style and manner.
| "There was a time, our good old fathers say, (Perhaps it was so in their better day,) When coats and gowns were patch'd without disgrace, And men wore hats that cover'd all the face; When ragged virtue was not kick'd aside, Nor worth and equipage identified, Nor taste and genius by possession squared, Nor merit sold, like riband, by the yard. Temperance and charity were then esteem'd, And men and women were just what they seem'd. Labor and health with vigor strung their arms, Themselves less cultivated than their farms. No smart young master, impudent and vain, Play'd with his cue, or silver-headed cane, Forsook his grammar ere he learn'd the rules, To pilfer pins, or rifle reticules; Nor beardless hero boasted laurels won, From maids deceived, or jilted, or undone. The rosy girls, content with native bloom, Sought not the flowing robe and waving plume; Nor wish'd to gain the empire of a heart, Where half the victory was achieved by art. No wanton fashion taught with lace to deck, The shorten'd waist, and lengthen down the neck. No everlasting clack of slanderous tongues, Raised sad solicitude for female lungs; Nor had the sex divided all their cares, To sorting silks and mangling characters." |
If Mr. Speece were at this time a younger man than we presume him to be, we should take the liberty of pointing out some of his defects—but various allusions in some of his minor pieces, authorise the inference that his affections are now almost alienated from the once charming society of the muses. Domestic sorrow seems to have had no inconsiderable share in producing this result. His "Apology to A. L. Esq."—is full of the poet's as well as the father's anguish at the sudden death of a favorite son sixteen years old. We give the whole to the reader.
| "The generous friend may justly claim The offspring of my musing, But to excite the Muse's flame No more obeys my choosing. Life's warmest hopes, its light and pride, Fail'd with my darling when he died. My harp, that once in rapture rung, Full-toned to joy and gladness, Lies all unheeded and unstrung Beneath the cloud of sadness; Vain were the task, the effort vain, To wake its thrilling notes again. Once skill'd to wreath poetic flowers Around the brow of Beauty, My hand has now forgot its powers, Nor heeds that gentle duty; Fled is their bloom; the task were vain, To wreath those wither'd flowers again. The heart that feels the mortal stroke, The bosom anguish-riven, Sinks hopeless as the blasted oak From the fierce bolt of Heaven: The oak no genial season feels; The wounded bosom never heals. Youth may regain its honors reft, And bloom again in gladness; Age, when bereaved, has little left But ever-during sadness; And gathering years and grief dissever Hope from the heart that bleeds forever." |