She had such a strict inventory of all her goods and chattels, that, if any one plundered her of a pin, she was sure to find it out. She would miss a pea out of a peck; and she once kept her establishment up half the night to hunt for a bit of cheese that was missing—it was at last found in the mouse-trap. "You extravagant minx," said she to the maid, "here is cheese enough to bait three mouse-traps;" and she nearly had her fingers snapped off in her haste to rescue the cheese from its prison. I used not to dine with my aunt Fidget so often as with my aunt Bridget, for my aunt Fidget worried my very life out with the history of every article that was brought to table. She made me undergo the narration of all that she had said, and all that the butcher or poulterer had said, concerning the purchase of the provision; and she used always to tell me what was the price of mutton when her mother was a girl—two pence a pound for the common pieces, and twopence-halfpenny for the prime pieces. Moreover, she always entertained me with an account of all her troubles, and with the sins and iniquities of her abominable servants, whom she generally changed once a month. Indeed, had I been inclined to indulge her with more of my company, I could not always manage to find her residence; for she was moving about from place to place, so that it was like playing a game of hunt the slipper to endeavor to find her. She once actually threatened to leave London altogether, if she could not find some more agreeable residence than hitherto it had been her lot to meet with. But there was one evil in my aunt Fidget's behavior, which disturbed me more than any thing else; she was always expecting that I should join her in abusing my placid aunt Bridget. Aunt Bridget's style of house-keeping was not, perhaps, quite the pink of perfection, but it was not for me to find fault with it; and if she did sit still all day, she never found fault with those who did not; she never said any thing evil of any of her neighbors. Aunt Fidget might be flying about all day like a witch upon a broomstick; but aunt Bridget made no remarks on it; she let her fly. The very sight of aunt Fidget was enough to put one out of breath—she whisked about from place to place at such a rapid rate, always talking at the rate of nineteen to the dozen. We boys used to say of her that she never sat long enough in a chair to warm the cover. But she is gone—requiescat in pace;1 and that is more than ever she did in her life-time.
1 May she rest in peace.
EDITORIAL REMARKS.
In presenting the fourth number of the "Messenger" to the public, we are gratified in announcing the continued support of our friends and correspondents, and the increasing ardor with which the work is patronized. Far more to the great cause of southern literature, than to our own humble efforts, is it owing that we are encouraged from a variety of quarters to persevere in our labors; and our generous well wishers may rely, that we are not disposed to look back or falter in our course,—borne as we are upon the "full tide of successful experiment." Let but our friends continue to take an interest in our cause, and this work will soon be placed beyond contingent evils. It will become the arena, where southern minds especially, may meet in honorable collision; and when we say southern minds, let us not be understood as slighting or undervaluing the rich and valuable aid which we hope to receive from our northern and eastern brethren. Far from it. We desire to emulate their own noble efforts in behalf of American literature, and to stir up our more languid countrymen, to imitate their industry, and to hope for their success.
The rights and duties of the editorial chair, especially in the infancy of a literary work, are extremely delicate. Taste is so subtle, variable and uncertain a quality, that, for an editor to establish his own, as a fixed and immutable standard—would seem invidious, if not absolutely odious. On the other hand, some judgment and discrimination must be exercised, or the consequences might be still more injurious. The indiscriminate admission of all pretenders, would be disparaging and unjust to those whose claims are unquestionable. The true view of the subject we take to be this—not to exclude all contributions which do not display a high degree of merit—especially if their authors are young and evince a desire to excel. One object of a work like the "Messenger," is to improve the exercise of thought and the habit of composition. A literary novice, when he sees himself in print, and contrasts his productions with those of more mature minds and more practised hands, will rouse himself to greater effort. It may encourage and stimulate him to more decided and brilliant exertion. Fine writing is not the acquisition of a day or a year; it requires, in order to the full attainment of success,—long, continued and unwearied application.
We make these remarks, because we are not entirely satisfied ourselves, with all the articles either in prose or verse, admitted into the present number. We did not think, however, that any of them deserved exclusion. In some of those which are published, may be perceived undoubted indications of genius,—and in the rest, evidences of high capacity to excel.
In noticing some of the pieces, we hope it will not be supposed that we pass sentence of inferiority upon such as we omit to mention. Our object is to ask the particular attention of the reader to those which have afforded us peculiar pleasure.
It is with unalloyed satisfaction, that we continue the very able and interesting account of "Tripoli and the Barbary States." The author has thrown around authentic narrative, all the charms of romance; and we perfectly agree with a contemporary editor in this city, that he has reached in a very high degree the interest and dignity of the true historic style.
The description of Howard's Bottom, under the head of "Western Scenery," will be at once recognized as the production of a practised and polished pen.