A VIRGINIAN.
The Western Monthly Magazine concurs with us in our opinions of Vathek. The editor says, "Vathek is the production of a sensual and perverted mind. The events are extravagant, the sentiments pernicious, and the moral bad. It has nothing to recommend it but ease of style and copiousness of language."
For the Southern Literary Messenger.
THE ROMANCE OF REAL LIFE.
"I'll make thee famous with my pen,
And glorious with my sword."
It is said, and truly said, that "Truth is often more incredible than fiction." It is natural too, that we should take a deeper interest in the fortunes of creatures of flesh and blood, who have actually lived and suffered, than in the imaginary sorrows of beings that are themselves but figments of the writer's brain.
Why then do we so rarely meet with any narrative of facts which engages our feelings so deeply as a well wrought fiction? May it not be that in all histories of a romantic character there is, from the very nature of the thing, a degree of mystery which we cannot penetrate; and that the innumerable little incidents, which adorn the pages of a romance, and so aptly illustrate the characters of the parties, are hidden by the veil of domestic privacy? It might be allowable to supply these; but the attempt to do so, is always offensive to the reader. We are disgusted at seeing truth alloyed by fiction, and the fiction always betrays itself. Let a characteristic chit-chat be detailed, and we find ourselves wondering who it was that took notes of the conversation. We read the scene between Ravenswood and Miss Ashton at the haunted fountain, and never ask, whether she rose from her grave, or he emerged from the Kelpie's flow, to describe it to the writer. But such a narrative concerning real persons, would inevitably disgust us; and no writer of any tact would ever attempt it. None above the grade of Parson Weems ever did. There is no wilder romance than his life of Marion. But who reads it? We feel that it profanes the truth of history with fiction, and we throw it away with disgust. Yet it comes nearer to Schiller's masterpiece, "The Robbers," than any thing else. Is it less interesting because the prompting impulse of the hero is virtuous, not criminal? No; but there is just truth enough to keep us always mindful of the falsehood.