Among the vast numbers who came crowding from the city over the broken passage, were several who knew, by the cry of the seventh noble, that Malintzin was in his hands; and they rushed forward, to ensure his capture. The foremost and fleetest of these was distinguished from the rest by a frame of towering height; and, had there been a Spaniard by to notice him, would have been still more remarkable from the fact, that he uttered all his cries in good, expressive Castilian. He bore a Spanish weapon, too, and his first act, as he flung himself into the ditch where Cortes was drowning, was to strike it through the neck of the uppermost noble. His next was to spurn the other from the breast of the general, whom he raised to his feet, murmuring in his ear,
"Be of good heart, señor! for you are saved."
What more he would have said and done can only be imagined; for, at that moment, the Barba-Roxa rushed out of the ditch, followed close at hand by the hunchback, Bernal Diaz, and others, and seeing his commander, as he thought, in the hands of a foeman, he lifted his good sword once again, and smote him over the head, crying,
"Down, infidel dog! and vive for Spain and our general!"
At this moment, there rushed up a crew of fresh combatants, Spaniards from the rear and infidels from the front. But before they closed upon him entirely, the Barba-Roxa caught sight of the man he had struck down, and beheld, in his pale and quivering aspect, the features of Juan Lerma.
The unhappy wretch, thus beholding the beloved youth, with his own eyes, a leaguer and helpmate of the infidel, and punished to death, as it seemed, by his hand, set up a scream wildly vehement, and broke from the group of Spaniards, who now surrounded Cortes, endeavoring to drag him in safety over the pass. The exile had been seen by others as well as Gaspar, and many a ferocious cry of exultation burst from their lips, as they saw him fall.
Meanwhile, Gaspar, distracted in mind, and dripping with blood, for he had not escaped from the ditch and the fierce embrace of his fourth antagonist, without many severe wounds, endeavored to retrace his steps to the spot where Juan had followed. It was occupied by infidels, who drove him into the ditch, where his legs were grasped by a drowning Mexican, who raised himself a little from the water, and displayed, between his neck and shoulder, a yawning chasm, rather than a wound, from which the blood, at every panting expiration of breath, rolled out hideously in froth and foam. It was the Lord of Death, thus struck by Juan Lerma, as he lay upon the breast of Cortes, and now perishing, but still like a warrior of the race of America. He clambered up the body of Gaspar, for it could hardly be said, that he rose upon his feet; and seeing that he grasped a Christian soldier, he strove to utter once more a cry of battle. The blood foamed from his lips, as from his wound; and his voice was lost in a suffocating murmur. Yet, with his last expiring strength, he locked his arms round the neck of the Spaniard, now almost as much spent as himself, and falling backwards, and writhing together as they fell, they rolled off into the deep water, where the salt and troubled flood wrapped them in a winding-sheet, already spread over the bosoms of thousands.
There is another scene which we had marked for extracting, but which our limits forbid inserting—a single combat on the stone of Temalacatl—in which a Spanish prisoner, doomed to the gladiatorial sacrifice, contends successfully against several antagonists. The details of this barbarous ceremony, are full of interest. The prisoner is bound by one foot to the stone of sacrifice, and if in this condition he kill six Mexicans, he is liberated, and sent home with honor; if he fail, he is doomed a sacrifice to the pagan deities. The narrative of this combat, is given with remarkable spirit and precision, and holds the reader in breathless excitement to the end.
The story closes as happily as could be expected from the nature of its incidents. The fall of Mexico, and the humiliation of its heroic emperor, excite a profound sympathy; and the death of Monjonaza, who dies broken hearted upon discovering that Juan, of whom she is passionately enamored, is her brother, throws a melancholy shade over the brightening fortunes of the hero.
Some of the minor characters are drawn with a vigorous hand. The dog Befo, is a powerful delineation of heroic fidelity, seldom equalled by his superiors of the human race. Gaspar Olea, the Barba-Roxa, or red haired, is a fine specimen of the bold, blunt, honest soldier; and Bernal Diaz, (the historian of the Conquest,) though little distinguished in the story, adds to its interest. The Lord of Death, is a fine picture of the lofty race of barbarians, who spurned the slavery of their foreign foe, and died in resisting it. Najara, the hunchback and the cynic, is also a well drawn character.