In truth, the hands of these statesmen have much in common. Yet, for a more striking resemblance between hands we must turn to another pair. The sculptor calls attention to the eminently ecclesiastical character of the hand of Cardinal Manning. It is in every respect the hand of the ideal prelate. Yet its every attribute is common to one hand, and one hand only, in the whole collection, that of Mr. Henry Irving, the actor. The general conformation, the protrusion of the metacarpal bones, the laxity of the skin at the joints, are characteristic of both.
HENRY IRVING'S HAND.
LORD NAPIER OF MAGDALA'S HAND.
SIR BARTLE FRERE'S HAND.
There could be no mistaking the bellicose traits visible in the hands of the two warriors Lord Napier of Magdala and Sir Bartle Frere. Both bespeak firmness, hardihood, and command, just as Lord Brougham's hand, which will be found represented on the next page, suggest the jurist, orator, and debater. But it can scarcely be said that the great musician is apparent in Liszt's hand, which is also depicted on the following page. The fingers are short and corpulent, and the whole extremity seems more at variance with the abilities and temperament of the owner than any other represented in these casts, and, as a case which seems to completely baffle the reader of character, is one of the most interesting in the collection.
LORD BROUGHAM'S HAND.