The screen at the far end is rather shuddery, not to say creepy, to those of nervous temperament. It is decorated with tomahawks of fearful and wonderful shapes and sizes, and other Indian implements of warfare.
"These came from California," Mrs. Kendal explained. "No sooner are you out of the train than the Indians tomahawk you! Look at this bow and arrow."
The pots of palms and ferns all hold American flags. These colours—the stars and stripes—once surmounted baskets of flowers and floral emblems—five, six, and even seven feet high—handed to Mrs. Kendal during her recent tour in the States; and amongst the sweetly-perfumed blossoms diamonds, pearls, and other precious gems have glistened in the shape of ornaments. A table near the window tells you of the generosity of the Americans. It is crowded with silver ornaments and mementos. You may handle the diminutive silver candlesticks to light "The Kendals" away—silver jugs, souvenir spoons, frying-pans, coffee-pots—all in miniature. This silver dollar is only one of a hundred. You touch a spring, when, lo and behold! the portrait of the donor appears. All American women have dainty feet. These little ebony and silver lasts for your boots remind you of this. On this table is a letter from the Princess of Wales, thanking Mrs. Kendal for "the lovely silver wedding bells and flowers which you so kindly sent me on the tenth." You may examine George IV.'s cigar-case—a silver tube in which the King was wont to carry a single cigar. It is impossible to number all the treasured odds and ends, but still more difficult to total up the miniature articles set out in a pair of cabinets.
NAPOLEON'S WRITING-TABLE From a Photo by Elliott & Fry.
"SHAKESPEARE AND BACON" From the Picture by A. E. Emslie.
Mrs. Kendal has a hobby—it lies in the collecting of the tiniest of tiny things. If her intimate friends come across any curiosity particularly choice and small, it is at once snapped up and dispatched to Harley Street. I had some little leaden mice in my hand the size of half-a-dozen pins' heads. Handkerchiefs an inch square, babies' woollen shoes, pinafores, shirts, all of the tiniest, but perfectly made, with buttons and button-holes complete, and even buns with currants no bigger than a pin's point. Sheep, dogs, cats, monkeys, pigs, giraffes—in short, convert the entire Zoo into miniature china knick-knacks, and you have a considerable portion of Mrs. Kendal's collection realized. One must needs stand for a moment at Napoleon's writing-table, near which rests a characteristic clay by Van Beers. The pictures here are many. Millais' work is well represented by several etchings, and a remarkably clever thing by Emslie, entitled "Shakespeare and Bacon," suggests the two extremes of taste to a nicety. Whilst a young enthusiast is declaiming Shakespeare, one of his listeners—doubtless, equally enthusiastic, but with an eye for victuals—is interrupting a soliloquy with the remark: "Now! who says bacon?" Every portrait has a history—Prince and Princess Henry of Battenberg in their wedding garments, the late Duke of Albany, Professor Huxley, Mrs. Beecher Stowe, Mr. and Mrs. Pinero, Mr. and Mrs. Bancroft, and many others. Three suggestive pictures, however, cannot be passed by. This dear little fellow is the son of Mr. B. J. Farjeon. Mr. Farjeon married "Rip Van Winkle" Jefferson's daughter, and the youngster is pictured dressed in the tattered garments of merry, rollicking Rip. You know how Rip always drinks your health? He holds the glass of hollands high up and cries, "Here's your health and your family's good health, and may they all live long and prosper!" but Mr. Farjeon's little boy cries out, "Here's your health, and your family's good health, and may you all live long and proper!"
GROUP IN CLAY BY JAN VAN BEERS.