GRAVEYARD IN THE CRIMEA.
The drawing-room walls are covered with works of art—Sidney Cooper, George Frip, Müller, J. B. Pyne (who was Müller's master), Absalon (who designed the grand curtain for Her Majesty's Theatre), and Brittan Willis are all well represented. Absalon gives "Crecy" and "Agincourt" as they are to-day. In the latter picture the mill is shown where it is said the King stood while the Black Prince won the battle. A striking portrait of Lady Blessington is by Shalon, and there are no fewer than three valuable portraits of the Queen, one of which is the chalk drawing by Winterhalter, and the other is the original picture of Her Majesty painted by Parris from the orchestra of Drury Lane Theatre, a reproduction of which was published in the third number of this Magazine, together with the story associated with it, told me by the late Mr. Henry Graves, who sat by the side of Parris when he made the sketch. Lewis is responsible for "Interior of a Harem."
"Very expensive man to buy," Sir Robert said. "A few of his pictures were to be sold, and I attended the sale. One was a little larger than this, on a similar subject, and I thought I would buy it as a companion work. But it went for eleven hundred guineas!" Over a fine cabinet are a pair of dogs in pencil, by Landseer. "Racket" was drawn when he was ten years of age and "Pincher" a year later. The Satsuma ware and Sèvres china scattered about the apartment are exceptionally choice, and the curious cloth which covers the table in the centre of the room—a table, by-the-bye, which belonged to our Ambassador to France during the great Revolution of 1793—came from the Sultan's palace at Constantinople, and is worked with His Majesty's name in silk in the centre.
But what is unquestionably the most interesting among the contents of the drawing-room is the cabinet of Japanese ivories. It contains probably the finest collection of such Japanese handicraft in miniature in the kingdom. There is everything in ivory, from a beggar with his rosary to a beauty with painted cheeks and almond-shaped eyes. You may handle the quaintest of ideas carried out in ivory; a skeleton carrying a baboon—calculated to beat Holbein's "Dance of Death" all to pieces; skulls with cobras intertwined—indeed, the serpent is everywhere; and all with some mystic meaning.
THE DRAWING-ROOM. From a Photo. by Elliott & Fry.
THE DRAWING-ROOM. From a Photo. by Elliott & Fry.
"The date of the workmanship of these," said Sir Robert, "must go back for centuries."