The papers had foretold a most brilliant success for the beautiful young actress, who was so marvellously gifted, and who would no doubt become the star of the season. She had chosen for her début "La Dame aux Camélias," which was at that time in the height of its popularity, and the author himself had said that the rôle of Marguerite might have been written for this talented young actress, so admirably did it suit her in every respect. From the very first act it was quite evident that her beauty and her talent had not been overrated.

The sight of her even had won all hearts. A faultless figure, a delicate, refined face, with lips which were at once proud and tender, eyes of deep blue with the most frank expression, a perfectly shaped head, and a carriage which would have done honour to any queen.

At the sight of this exquisite creature a murmur of approbation ran through the house and interrupted, for a few seconds, the dialogue.

At the end of each scene the ovations increased, and after the second act there was a perfect explosion of applause. Among those who were most delighted at Jeanne's triumph was a young man who belonged to the theatre—Louis Belcourt. It was through his influence that she had succeeded in making her début, for the manager of this theatre always preferred pupils from the Conservatoire.

Louis had known and loved Jeanne from boyhood, and there was something infinitely noble and touching in this devoted yet hopeless love. It was, indeed, of a kind rarely seen in any man, for it had not blinded him, and he could see and admire the good qualities of his rival—the man to whom Jeanne had given all her love.

It had been very romantic, the engagement of the beautiful young actress. A short time before, at the Longchamps races, she had been glancing at the grand stand, where Napoleon III. and the ladies of the Court were seated, when suddenly she became aware of two handsome dark eyes fixed upon her. She looked away, but, as though fascinated, a few minutes later she glanced again at the place behind the Court ladies, and she saw a military-looking man, whose face was bronzed by the southern sun, and who had risen from his seat and was gazing earnestly at her, as though he too were fascinated by some spell.

Not long after, Roger de Morfeuille, officer in the Emperor's regiment, had discovered who Jeanne was. It was an extraordinary engagement; no word of the future had been spoken between them. Roger knew that he would have to leave, for war had been declared, and that until the result of that war should be known he could promise nothing. The subject of the future was not even broached between them. Jeanne knew only that their path in life must be together: she felt that it must be so, and there was no need for words. Only when the terrible parting came, when Roger had to leave to join his regiment, he slipped a ring he always wore on to her finger and took from hers one for himself, and still no words were spoken as to the future.


After the second act of the "Dame aux Camélias," when the curtain had been lowered for the sixth time, and Jeanne had for the sixth time answered to the enthusiastic recalls, she went slowly up to her room. She felt overwhelmed: perhaps it was the excess of happiness at her good fortune which weighed on her like this. Roger knew that it was the day of her début; she felt certain that, even amid the smoke of the battlefield, he would not forget it. She hardly dared own it even to herself, but all day she had expected some little souvenir from him, some sign or word of sympathy; for was she not too fighting a battle, one of those battles which decided the life of individuals just as much as his did that of nations? On opening her dressing-room door a flash of mingled triumph, love, and pride came over her as she caught sight of a telegram on her table.

She closed her door quickly, not noticing that Louis Belcourt was following her quietly along the corridor.