There is no other house in these Gardens where the unobtrusive visitor is so made to feel his utter smallness and insignificance—and that by mere brazen clamour—as in this. The elephants look large—they are large—but the elephants behave with gentlemanly quietness and self-respect. The parrots rise up and curse you (and everything else) with sudden and painful unanimity. You are appalled, dwarfed, made insignificant and ashamed by the overpowering vastness of—the mere row.

The fact is that each single individual of this crowd of parrots, cockatoos, macaws, and parrakeets holds his own importance above every other created thing as a prime article of belief, and is naturally and most virtuously indignant when he finds that you don't go directly to him and load him with presents. Therefore, he blares and screams at you, till the air swims in your ears and eyes and the outer world is but a chaos of great beaks, angry combs, and streaks of red, green, and white. If you venture so far as to make an invidious selection, and tender a peace-offering to a particular bird, you draw down upon your devoted head the double rage and united jealousy of all the other parrots, cockatoos, parrakeets, and macaws, each convinced that you couldn't possibly have seen him or you would never have slighted so superlative a creature; and again the air and the colours swim to your senses. The whole sensation is not unlike that produced by a long inspection of immense thundering and shrieking engineering works. You feel bewildered and you feel small: and everything about you is metallic and mechanical. Every movement of a parrot, if you will but notice it, is suggestive of metal joints and mechanical action; and the voice—but there is no metal metallic enough to emit such a voice as that at its worst.

There is a married couple here—Triton cockatoos—near the keeper's room. They nag and quarrel and snarl at one another, and all on strictly mechanical principles. Their only gibe is an inarticulate snarl delivered when repartee seems unlikely. Thus, Mr. C. observing Mrs. C. apparently asleep will snarl ferociously, and compose himself to rest. In a little while Mrs. C. will rouse herself, and perceiving the placid quiescence of Mr. C., will snarl at him and go to sleep again: all this with a mechanic jerk of the head and neck suggestive of Punch or an automaton. After a while, perhaps, the inclination for a snarl will take both at once, and, finding themselves face to face, with nothing original to say, they will subside and sulk for the rest of the day, each trying hard to think of some particularly unkind remark to hurl at the other.

"YAP—YAP!"

"YAP!"