"For absolute comic humour," he writes, "no one has equalled Zimmerman, of the New York Judge, in my opinion. Charles Keene is, of course, miles ahead of any other man in quiet humour; but I can't think of any particular examples."

Of Zimmerman's drawings Mr. Raven-Hill selects three, of which we herewith present what strikes us as the most comical.

Wife (to lion-tamer, who has been out late): "You coward!"
From "Phil May's Annual."
SELECTED BY MR. TOM BROWNE.

Few comic artists are at once so prolific and so amusing as Mr. Tom Browne, who, in selecting the picture reproduced below, writes to us as follows:—

"I have no hesitation in ascribing to the late Phil May some of the most delightful specimens of illustrated humour that have ever graced the British or any other Press; but to positively indicate what I consider to be that master's choicest joke or drawing is a difficult matter. Phil May had a very keen sense of humour; moreover, he was a master of line. He knew what a line would do better than any man ever did before him. He could seize on the essentials of a subject and adequately represent it in the fewest lines anyone had ever employed before. Yet nothing was lacking. And the lines and the forms they represented were always accurate. There was a lot of humour in the sketch of the lion-tamer which appeared in one of the winter annuals. The tamer of lions had been staying out late, and to avoid the furious attentions of his wrathful spouse had taken refuge in the lions' den. The aforesaid wrathful spouse was shaking her fist in front of the bars and crying out, 'You coward!'

"A Hair-Raising Story."—By Caran D'ache.
From the Caran D'ache Album, by Permission of MM. Plon Nourrit & Co.
SELECTED BY MR. LESLIE WILLSON.

"Quite a little masterpiece in its way was the sketch of the very tipsy newsman, who had the contents-bill of the special edition he was selling stuck on a sandwich board that covered his chest. In large letters on the contents-bill was printed, 'Result of the Cup.'

"And there are others, scores of them, all good because they were Phil May's. In cold type they sound nothing. Phil May's pen made masterpieces of them all."