Franz Schubert is the creator of the German "Lied." He was the first who gave this kind of music a deeper meaning and a more elevated form, and, guided by his dramatic instinct, produced such masterpieces as the "Erlking" and the "Müller-lieder." The singer is surprised to find most of these songs written in a very high key, and before somebody had taken the trouble to transpose them this was, even in Germany, a drawback to their popularity. The reason was as follows. One of Schubert's best friends was a very popular singer in Vienna, and his tenor voice was of an exceptional compass. Schubert wrote most of his songs for him. The painter has had the happy idea of giving us a portrait of this man in the act of singing, while Schubert himself is playing the accompaniment. The young lady who stands at the other side of the piano is probably the girl of whom Schubert said: "I loved once a girl, she was not beautiful—but, oh, so kind-hearted, good, and loving! And she sang my songs with a most beautiful soprano voice. We loved each other for three years, and we were happy. Then I had to give her up. I could never succeed in getting a post which would have enabled me to marry. I had no right to prevent her from marrying a man who could give her a home and make her happy." It is sad that a man whom we acknowledge as one of the greatest of musicians should be compelled to give up every thought of the happiness which comes to even the simplest worker in another field.
"SCHUBERT AND HIS FRIENDS."
From the Picture by Carl Röhling.
By permission of the Berlin Photographic Company, 133, New Bond Street, London, W.
Copyright, 1903, by Photographische Gesellschaft.
The next painting illustrates a romantic episode of Schumann's life. In 1836 Robena Laidlaw, though only sixteen, was Court pianist of the Queen of Hanover, and her fame had already spread over Germany, England, and Russia. She played his music for him, followed his inspirations, and rejoiced at the flights of his genius. They had tasted to the full the delight of understanding each other in the beautiful language of music.
"SCHUMANN AND ROBENA LAIDLAW."
From the Water-Colour Drawing by J. Raabe.
One day they were wandering in the Rosenau—the rose-gardens of Leipzig. The time of parting had come. His life and hers were unsettled and full of plans and ambitions. She was to start for Paris the next day, and to go from there to Russia to play before the Czar and the Imperial Court. Did they realize their own feelings at the moment, or know how much akin such friendship is to love?
He arranged the cushions around her in the little boat upon the lake and bade her wait for him; he would bring her a rose as a parting gift. She had long to wait, and when he came at last he said, with that melancholy expression which, even in his younger years, was already his: "I searched so long and could after all only find a rose which is not worthy of you. But I will send you a remembrance of the Rosenau."
ROBENA LAIDLAW.
From a Painting.