Duster followed him into the blacksmith’s shop. The blacksmith thought he could put some nails in; gentlemen’s shoes and horses’ shoes, he explained, weren’t quite the same thing. The brown gentleman admitted the difference, but felt sure that the blacksmith could make a job of anything he tried his hand at. He mentioned, which the blacksmith knew, that he was staying at “The Dog and Duck” opposite, and gave his name as Carfax.
“Come along,” said Duster impatiently.
“Good morning,” said the brown gentleman to the blacksmith. “Lovely day, isn’t it?... Come along, old boy.”
He strode out into the blue fresh morning, Duster all round him. But when they got to the church—fifty yards, no more—the foxhound puppy changed his mind. He had had an inspiration, the same inspiration which came to him every day at this spot. He stopped.
“Let’s go back,” he said.
“Not coming to-day?” laughed the brown gentleman. “Well, good-bye.”
“You see, I think I’d better wait here, after all,” said the foxhound puppy apologetically. “Something might happen. Are you really going on? Well—you’ll excuse me, won’t you?”
He ambled back to his place outside the blacksmith’s shop. The tall, lean, brown gentleman, who called himself Carfax, walked on briskly with spring in his heart. Above him the rooks talked and talked; the hedges were green; and there were little baby clouds in the blue sky.
Shall I try to deceive you for a page or two longer, or shall we have the truth out at once? Better have the truth. Well, then—the gentleman who called himself Carfax was really George Crosby. You guessed? Of course you did. But if you scent a mystery you are wrong.
It was five years ago that Crosby took his first holiday. He came to this very inn, “The Dog and Duck,” and when they asked him his name he replied “Geoffrey Carfax.” It had been an inspiration in the train. To be Geoffrey Carfax for three weeks seemed to cut him off more definitely from the Fenchurch Street office and the Islington boarding-house. George Crosby was in prison, working a life sentence; Geoffrey Carfax was a free man in search of the woman. Romance might come to Geoffrey, but it could never come to George. They were two different persons; then let them be two different persons. Besides, glamour hung over the mere act of giving a false name. George had delightful thrills when he remembered his deceit; and there was one heavenly moment of panic, on the last day of his first holiday, when (to avoid detection) he shaved off his moustache. He was not certain what the punishment was for calling yourself Geoffrey Carfax when your real name was George Crosby, but he felt that with a clean-shaven face he could laugh at Scotland Yard. The downward path, however, is notoriously an easy one. In subsequent years he let himself go still farther. Even the one false name wouldn’t satisfy him now; and if he only looked in at a neighbouring inn for a glass of beer, he would manage to let it fall into his conversation that he was Guy Colehurst or Gervase Crane or—he had a noble range of names to choose from, only limited by the fact that “G.C.” was on his cigarette-case and his kit-bag. (His linen was studiously unmarked, save with the hieroglyphic of his washerwoman—a foolish observation in red cotton which might mean anything.)