If we look below these ideas of prejudice and privilege, time and subordination, for their one animating principle, we shall find it, I think, in the dominance of the faculty of the imagination. Nor did this imaginative substructure lying beneath all of Burke's writings and speeches, from the early essay on the Sublime and Beautiful to his latest outpourings on the French Revolution, escape the animadversion of his enemies. Tom Paine made good use of this trait in The Rights of Man, which he issued as an answer to the Reflections. "The age of chivalry is gone," Burke had exclaimed at the close of his famous tirade on the fall of Marie Antoinette. "Now all is changed. All the pleasing illusions, which made power gentle, and obedience liberal, which harmonized the different shades of life, and which, by a bland assimilation, incorporated into politics the sentiments which beautify and soften private society, are to be dissolved by this new conquering empire of light and reason. All the decent drapery of life is to be rudely torn off. All the superadded ideas, furnished from the wardrobe of a moral imagination...." To this Paine retorted with terrible incision. Ridiculing the lamentation over the French Queen as a mere sentimental rhapsody, he catches up Burke's very words with malign cunning: "Not one glance of compassion, not one commiserating reflection, that I can find throughout his book, has he bestowed on those who lingered out the most wretched of lives, a life without hope in the most miserable of prisons. It is painful to behold a man employing his talents to corrupt himself. Nature has been kinder to Mr. Burke than he has been to her. He is not affected by the reality of distress touching his heart, but by the showy resemblance of it striking his imagination. He pities the plumage, but forgets the dying bird."
Now there is an element of truth in Paine's charge, but there is distortion also. To say that Burke had no thought for the oppressed and the miserable is a wanton slander, disproved by abundant passages in the very Reflections and by his whole career. "If it should come to the last extremity," he had once avowed in Parliament, with no fear of contradiction, "and to a contest of blood, God forbid! God forbid!—my part is taken; I would take my fate with the poor, and low, and feeble." But it is the fact nevertheless, construe it how one will, that in the ordinary course of things Burke's ideas of government were moulded and his sentiment towards life was colored by the vivid industry of his imagination, and that he thought the world at large controlled by the same power. I doubt if analysis can reach a deeper distinction between the whole class of minds to which Burke belongs, and that to which Paine belongs, than is afforded by this difference in the range and texture of the imagination.
And in this Burke had with him the instinct of his people, while in a way transcending it; for a good deal of what we regard as the British character depends on just the excess of imagination over a rather dull sensibility and sluggish intelligence. This, if we look into it, is what Bagehot signalized as the saving dulness of England, and what Walpole meant by attributing to "the good sense [note the contrast of sense and sensibility] of the English that they have not painted better." It was this same quality that inspired Burke's great comparison of the French excitability with the British stolidity: "Because half a dozen grasshoppers under a fern make the field ring with their importunate chink, whilst thousands of great cattle, reposed beneath the shadow of the British oak, chew the cud and are silent, pray do not imagine that those who make the noise are the only inhabitants of the field." In its higher working, when sensibility and intelligence are also magnified, the imagination, no doubt, is the source of the loftier English poetry and eloquence, but in the lower range, which we are now considering, it is rather a slow, yet powerful and endearing, visualization of what is known and familiar; it is the beginning of distrust for innovation and of that prejudice for existing circumstances and actual relations which Burke exalted as the mother of content. And with content it produces a kind of egotistic satisfaction in the pomps and privileges which pass before the eye, giving to the humble a participation in things wherein they have no material share. In the baser nature this evokes a trait which we condemn as snobbishness; in the higher it results in a fine magnanimity: "He feels no ennobling principle in his own heart, who wishes to level all the artificial institutions which have been adopted for giving a body to opinion and permanence to fugitive esteem. It is a sour, malignant, envious disposition, without taste for the reality, or for any image or representation of virtue, that sees with joy the unmerited fall of what had long flourished in splendor and in honor." Thus, too, the imagination is an accomplice of time, as well as of the law of subordination; indeed, its deepest and noblest function lies in its power of carrying what was once seen and known as a living portion and factor of the present, and there is no surer test of the quality of a man's mind than the degree in which he feels the long-remembered past as one of the vital and immediate laws of his being. So it is that the imagination is the chief creator and sustainer of the great memorial institutions of society, such as the Crown and the Church and the other pageantries of state, which are the very embodiment of prescription, as it were the soul of tradition taking form and awful authority among the living. How deeply Burke felt this prescriptive right of the imagination, no one need be told; nor is it necessary to quote in full the familiar passages in which he likens the British monarchy, with its bulwark of nobility, to "the proud keep of Windsor, rising in the majesty of proportion, and girt with the double belt of its kindred and coeval towers," or calls on the Church to "exalt her mitred front in courts and parliaments." There is the true Burke; he knew, as Paine knew, that the support of these institutions was in their symbolic sway over the imaginations of men, and that, with this defence undermined, they would crumble away beneath the aggressive passions of the present, or would remain as mere bloodless vanities. He thought that the real value of life was in its meaning to the imagination, and he was not ashamed to avow that the fall and tragedy of kings, because they bore in their person the destiny of ancient institutions, stirred him more profoundly than the sufferings of ordinary men.
It is perfectly easy for a keen and narrow intelligence to ridicule Burke's trust in the imagination, but as a matter of fact there is nothing more practical than a clear recognition of its vast domain in human affairs—it was Napoleon Bonaparte who said that "imagination rules the world." Burke is not dead; his pages are an inexhaustible storehouse of inspiration and wisdom. But it is true nevertheless, that his ideas never quite freed themselves from their matrix, and that in his arguments the essential is involved in the contingent. Though he saw clearly enough the imperfections of the actual union of a prescriptive and a natural aristocracy, he was not able, with all his insight, to conceive the existence of the latter alone and by virtue of its own rights. He cried out that the age of chivalry was gone; he saw that the age of prescription, however it might be propped up for a time, was also doomed, not only in France but in his England as well, and with that away there was nothing for his imagination but an utter blank. As a consequence the problem of government for us to-day in its fundamental aspects is really closer to the exposition of the Greek philosopher two thousand years ago, than to that of the modern English statesman. We have the naked question to answer: How shall a society, newly shaking itself free from a disguised plutocratic régime, be guided to suffer the persuasion of a natural aristocracy which has none of the insignia of an old prescription to impose its authority? Shall the true justice prevail, which by a right discrimination would confer power and influence in accordance with inner distinction; or shall that so-called justice prevail—for no man acknowledges open injustice—which recommends itself as equality of opportunity, but in practice, by confusing the distinctions of age, sex, and character, comes at last to the brutal doctrine that might makes right, whether that might be the material strength of money or the jealous tyranny of numbers?
Leaders there will be, as there always have been. Leaders there are now, of each class, and we know their names. We still call the baser sort a demagogue, and his definition is still what it was among those who invented the term: "a flatterer of the people." Or, if that description seems too vague, you will recognize him as one who unites in himself enormous physical and mental activity, yet who employs his extraordinary talents in no serious way for the comfort and sustenance of the higher life of the imagination, but for running about restlessly and filling the public mind with stentorian alarms. He is one who proclaims ostentatiously that the first aim of government "must always be the possession by the average citizen of the right kind of character," and then, in his own person, gives an example of identifying character with passion by betraying a friend and malignantly misinterpreting his words, as soon as that friend may be decried for balking the popular will—and balking the path of the decrier's ambition. He is one who has been honored as the leader of a great political party, and then, as soon as he is dethroned from its leadership, denounces that same party as the tool of privilege and the source of corruption. He is one who in proclaiming the principles of his new party, has constantly on his lips the magical word "justice," which he defines by the specious phrase "equality of opportunity," yet in the end identifies justice with the removal of all checks from government so that the desire of the majority may be immediately carried out, whether right or wrong. For "it is impossible to invent constitutional devices which will prevent the popular will from being effective for wrong without also preventing it from being effective for right. The only safe course to follow in this great American democracy is to provide for making the popular judgment really effective."
To this end our exemplary demagogue would take away every obstacle between the opinion of the moment and the enactment of that opinion into law. Hence the initiative and referendum.
Above the legislators is the Constitution, devised in order that legislation upon any particular question may be made to conform essentially with what has been laid down on deliberation as the wisest general course of government. It is a check upon hasty action, and implies a certain distrust of the popular judgment at any moment when passion or delusion may be at play. Therefore our demagogue will denounce reverence for the Constitution as a fetich. Blithely ignoring the fact that Constitution-making and remaking is one of the pastimes of some States, and that even the Federal Constitution can be amended with none too great difficulty when the opinion of the people is really formed (as in the recent case of the election of senators), he will earnestly call upon the Constitutional Convention of Ohio "to provide in this Constitution means which will enable the people readily to amend it if at any point it works injustice"; and then, as if that provision were not sufficient to relax its mortmain, he will virtually abrogate its function of imposing any check whatsoever by adding "means which will permit the people themselves by popular vote, after due deliberation and discussion, but finally and without appeal, to settle what the proper construction of any constitutional point is"; and this construction is to be made, not legally, that is by an attempt to get at the actual meaning of the language used, but in accordance with the current notion of what is right.
But the full venom of his attack will be directed against the courts, because in them is impersonated the final sovereignty of unimpassioned judgment over the fluctuations of sentiment, and with it the last check upon the operations of the demagogue. The interpretation of the law in accordance with the conditions of life is to rest with the people. If necessary they are to have the power of recalling the judge who is recalcitrant to their views, and at the least they are to have opportunity to reverse any decision of the courts which seems to them wrong. In this way he thinks to ensure "an independent judiciary"! To enforce the need of the recall he accuses the courts of "refusing to permit the people of the States to exercise their right as a free people." Thereupon he cites what he calls a "typical" case in New York, in which the judges declared a workingmen's compensation act unconstitutional. "In other words, they insisted that the Constitution had permanently cursed our people with impotence to right wrong and had perpetuated a cruel iniquity." This tirade, followed by the most inflammatory appeals to the emotions, was uttered in 1912; at the very time when he was inveighing against the courts for perpetuating iniquity, the machinery was in train for amending the Constitution, and in less than two years that permanent curse was removed by the passage of a constitutional law in full favor of the workingman. Such is the despotism of facts. And ever through these vituperative charges runs the high note of flattery: "If the American people are not fit for popular government, and if they should of right be the servants and not the masters of the men whom they themselves put in office!"
The demagogue paints himself. In a word you may know him by this single trait: he is one who, in the pursuit of the so-called rights of humanity, has a supreme contempt for those
Unconcerning things, matters of fact;