“Insofar as seizures or transports have already taken place contrary to these provisions . . . Reichsleiter Rosenberg’s Einsatzstab, Berlin-Charlottenburg (2), Bismarckstrasse 1, must be informed without delay.”

I shall not burden you by enumerating the many addresses to whom copies of this letter were sent. I shall merely name some of them: OKH, the Reich Minister of Economics, the Plenipotentiary for the Four Year Plan, the Reich Commissioners for the Baltic regions, the Ukraine, et cetera. Thus this document reconfirms that both Göring and Funk, as well as the representatives of the OKH, actively participated in this pillage.

The priceless works of art plundered in the occupied countries were removed to Germany, now transformed by the Hitlerites into a robber’s den.

The Extraordinary State Commission of the Soviet Union established that, in January 1943, the Commander of the 1st Tank Army, Cavalry General Mackensen, in the presence of the head of the propaganda department of the 1st Tank Army, Müller, removed from the Rostov Museum of Pictorial and Plastic Art, which had been evacuated to the town of Piatigorsk and which was then on the premises of the Lermontov Museum, the most valuable canvases of Ribera, Rubens, Murillo, Jordaens, Vereshtshagin, Korovine, Kramskoy, Polenov, Repin, Lagorio, Aivasovsky, and Shishkin, sculptures by Donatello, and other exhibits.

This statement, Your Honors, has already been presented to the Tribunal as Exhibit Number USSR-37 (Document Number USSR-37). With your permission I should like to read into the record only one paragraph on Page 5 of this document. The quotation is on Page 18 of your document book. I quote:

“The Rostov Museum of Pictorial Art had been looted and its contents carried off into Germany by the commander of the 1st Tank Army, Cavalry General Mackensen, and by the chief of the propaganda section of the 1st Tank Army, Müller.”

From the affidavit of the Plenipotentiary of the Polish Government, Stefan Kurovsky, it has been established that the Defendant Frank, in looting the cultural treasures of the Polish State, was also striving after his own personal gain. Pictures, porcelain, and other works of art from the plundered museums of Warsaw and Kraków, particularly from Vavel Castle, were transferred to the estate of the Defendant Frank.

The affidavit to which I referred is an appendix to the report of the Polish Government and is presented to the Tribunal as Exhibit Number USSR-302 (Document Number USSR-302). This document, Your Honors, is to be found on Pages 19-20 of your document book.

In this document registered under Document Number 055-PS, which is a letter from the head of the Political Leadership Group P4 of the Reich Ministry for the Eastern Occupied Territories, dated 14 September 1944, there are indications as to where the looted treasures were taken and stored. This letter, addressed to the “Reich Minister through the Chief of the Political Leadership Staff” is headed, “Objects of Art Evacuated from the Ukraine.” This letter is to be found in your document book on Page 21. I present this letter as documentary evidence and, submit it as Exhibit Number USSR-372 and I quote the text. I read:

“The Reich Commissioner for the Ukraine has stored the objects of art and the pictures evacuated from Kiev and Kharkov, in the following shelters in East Prussia: 1. The Richau family estate, near Wehlau; 2. Wildenhoff Manor (owner, Count Schwerin).”