Celebrated Russian and foreign architects, sculptors, and artists created masterpieces which were kept in these “museum towns” and, together with valuable masterpieces of Russian and foreign art, they had been blown up, burned, robbed, or destroyed by the fascist vandals.
I read into the record Exhibit Number USSR-49 (Document Number USSR-49) which includes a statement of the Extraordinary State Commission of the Soviet Union dated 3 September 1944. The excerpts which I shall quote, Your Honors, are on Pages 330-332 of the document book.
I omit the end of Page 43 and the whole of Page 44 of this statement, and begin my quotation in the middle of Page 45:
“At the time the German invaders broke into Petrodvoretz (in Peterhof) there still remained, after the evacuation, 34,214 museum exhibits (pictures, works of art, and sculptures), as well as 11,700 extremely valuable books from the palace libraries. The ground floor rooms of the Ekaterininsky and Alexandrovsky Palaces in the town of Pushkin contained assorted furniture suites of Russian and French workmanship of the middle of the 18th century, 600 items of artistic porcelain of the late 19th and 20th centuries, as well as a large number of marble busts, small sculptures, and about 35,000 volumes from the palace libraries.
“On the basis of documentary materials, the statements and testimony of eyewitnesses, the evidence of German prisoners of war and as a result of careful investigation, it has been established that: Breaking into Petrodvoretz on 23 September 1941, the German invaders immediately proceeded to loot the treasures of the palace-museums and in the course of several months removed the contents of these palaces.
“From the Big, Marly, Monplaisir, and Cottage Palaces, they looted and removed to Germany some 34,000 museum exhibits, among them 4,950 unique items of furniture of Italian, English, French, and Russian workmanship from the periods of Catherine the Great, Alexander I, and Nicholas I, as well as many rare sets of porcelain of foreign and Russian manufacture of the 18th and 19th centuries. The German barbarians stripped the walls of the palace rooms of the silks, Gobelin tapestries, and other decorative materials which adorned them.
“In November 1941 the Germans removed the bronze statue of Samson, the work of the sculptor Koslovsky, and took it away. Having looted the museum treasures, the Hitlerites set fire to the Big Palace, created by the famous and gifted architect Bartolomeo Rastrelli.
“Upon their withdrawal from Petrodvoretz”—I have skipped a paragraph—“the Germans wrecked the Marly Palace by delayed-action mines. This palace contained very delicate carvings and stucco moldings. The Germans wrecked the Monplaisir Palace of Peter the Great. They destroyed all the wooden parts of the pavilion and of the galleries, the interior decorations of the study, the bedroom and the Chinese room.
“During their occupation, they turned the central parts of the palace, that is, the most valuable from the historical and artistic viewpoint, into bunkers. They turned the western pavilion of the palace into a stable and a latrine. In the premises of the Assembly Building the Germans tore up the floor, sawed through the beams, destroyed the doors and windowframes, and stripped the panelling off the ceiling.”
I skip one paragraph and quote the last one on this page: