How the Bishop Froze
By John Trotwood Moore.
[Through the kindness of John C. Winston & Co., publishers, of Philadelphia, Pa., we are permitted to give to our readers this treat, being one of the chapters from the forthcoming novel of John Trotwood Moore, entitled “The Bishop of Cottontown,” now in the Winston press, and which will be issued by them early in March. This novel has been pronounced truly great by many publishers’ readers. It deals with child labor in the Southern cotton mills and the Bishop is the kindly old preacher and ex-trainer of ante-bellum thoroughbreds, who is the hero of the book.—E. E. Sweetland, Business Manager.]
It was ten o’clock and the Bishop was on his way to church. He was driving the old roan of the night before. A parody on a horse, to one who did not look closely, but to one who knows and looks beyond the mere external form for that hidden something in both man and horse which bespeaks strength and reserve force, there was seen through the blindness and the ugliness and the sleepy, ambling, shuffling gait a clean-cut form, with deep chest and closely ribbed; with well drawn flanks, a fine, flat steel-turned bone, and a powerful muscle, above hock and forearms, that clung to the leg as the Bishop said, “like bees aswarmin’.”
At his little cottage gate stood Bud Billings, the best slubber in the cotton mill. Bud never talked to any one except the Bishop, and his wife, who was the worst Xantippe in Cottontown, declared she had lived with him six months straight and never heard him come nearer speaking than a grunt. It was also a saying of Richard Travis that Bud had been known to break all records for silence by drawing a year’s wages at the mill, never missing a minute and never speaking a word.
Nor had he ever looked any one full in the eye in his life.
As the Bishop drove shamblingly along down the road, deeply preoccupied in his forthcoming sermon, there came from out of a hole, situated somewhere between the grizzled fringe of hair that marked Bud’s whiskers and the grizzled fringe above that marked his eye-brows, a piping, apologetic voice that sounded like the first few rasps of an old rusty saw; but to the occupant of the buggy it meant, with a drawl:
“Howdy do, Bishop?”
A blind horse is quick to observe and take fright at anything uncanny. He is the natural ghost-finder of the highways, and that voice was too much for the old roan. To him it sounded like something that had been resurrected. It was a ghost-voice, arising after many years. He shied, sprang forward, half wheeled and nearly upset the buggy, until brought up with a jerk by the powerful arms of his driver. The shaft-band had broken and the buggy had run upon the horse’s rump, and the shafts stuck up almost at right angles over his back. The roan stood trembling with the half turned, inquisitive muzzle of the sightless horse—a paralysis of fear all over his face. But when Bud came forward and touched his face and stroked it, the fear vanished, and the old roan bobbed his tail up and down and wiggled his head reassuringly and apologetically.
“Wal, I declar, Bishop,” grinned Bud, “kin yo’ critter fetch a caper?”