March spoke highly of her work, and was more affected by her disappearance than many, who saw only the cynicism of the man, would have believed. He feared, Annette supposed, that his new secretary would think it unlucky to step into the shoes of the girl who had vanished so mysteriously, and she hastened to disabuse his mind of any such idea.
But Annette soon found that there existed an additional reason for his question. The old house, she found, was divided into two parts. In one, the smaller of the two, lived March and his staff. A bachelor, he was looked after by an elderly housekeeper, one or two maids, a chauffeur and a confidential valet, who had been with him for years. These people attended to what he called the “domesticities” of the place.
The larger part of the house was consecrated to his hobby, and had been, indeed, altered and partially reconstructed to suit his unusual requirements. Into this Egypt in miniature the servants were sternly forbidden to penetrate. There March would bury himself amid his mummies and papyri, and sometimes, in his morose moods, even his secretary was forbidden access.
Annette had a comfortably-furnished sitting-room of her own, and a little room furnished as an office, but a great part of her work, she found, was to be done in the room which March grimly called the “Hall of the Dead.”
It was, indeed, an apartment in which only a girl of strong nerves could have worked without glancing fearfully over her shoulder. Floored with black-and-white marble, alternated in a curious pattern, it was dimly lit by a lamp swung from the roof by bronze chains. To afford the stronger light necessary for the study of ancient inscriptions, a smaller lamp stood on each of two small tables, the incongruous effect of their electric wiring being mitigated by their antique shape. These lamps, however, illuminated only their immediate neighborhood, leaving the greater part of the huge room in semi-obscurity.
Round the room were placed at regular intervals mummies and mummy-cases, whose grave immobility seemed but a mask which they could tear off at will, descending to move about the hall with measured steps and to converse on topics that had been of living importance to a long-dead civilization.
In the center of the hall stood a great stone table, curiously grooved and hollowed, and between the mummies were placed objects of metal and earthenware, the uses of which Annette could only guess.
In this strange room March would pass hour after hour. Annette soon learned to understand and accommodate herself to his methods. The sharp sound of an electric bell in her room would bring her to the Hall of the Dead, notebook and pencil in hand. The heavy door, controlled by an automatic mechanism, would roll back as she approached, closing silently behind her as she entered and took her seat, without a word, at one of the smaller tables.
Acknowledging her presence only by a gesture, March would stride up and down the room with his quick tread, pausing now and again to examine a document or to apply a magnifying glass to the inscription on a mummy-case, muttering to himself as he resumed his rapid pacing. Suddenly, without warning, he would commence to dictate, in sharp, staccato sentences, admirably lucid and without a superfluous word.
He would cease as suddenly as he had begun, and for perhaps half an hour, or longer, he would remain buried in thought, resuming his dictation as unexpectedly as he had ceased, but without ever losing the sequence of his ideas.