Not infrequently he would put aside his work on a novel to write a short story. He wrote a dozen or more, all of which found their way into print except one, Mollie Darling, written not long before his death, which appears in this volume for the first time.

Just before the publication of The Fortunes of the Landrays, Woodlawn Mansion was sold and I bought a place in the north of England. In England Vaughan met with an understanding a little more complete than he had known in America, except from Mrs. Howells. He made friends immediately, and fitted into the easy agreeable country-house life as perfectly as he had fitted into the different phases of American life he had known. The Fortunes of the Landrays came out while we were at Augill Castle.

Vaughan's throat causing him some concern, we went to London, taking Lady Florence Boyle's little house in Victoria Square, just back of Buckingham Palace. He had begun a new novel at Augill Castle, but he did little or no writing in London. Later it was thought best for him to return to America. Some months were spent at Ben Venue and then we moved into Gunston Hall, which remained my brother's home until his death.

While we were in Ben Venue, Vaughan wrote his one romantic novel, John o' Jamestown. Contrary to his usual custom he wrote this book rapidly; but he compensated himself by taking more time than was usual over his work on a new novel, afterward published under the title of The Just and the Unjust.

He had almost completed this book when he was seized with the idea which resulted in the writing of his best known and most popular story, The Prodigal Judge. He had submitted the incomplete manuscript of The Just and the Unjust to one or two friends, who suggested rewriting certain parts. For this work at the time he had no inclination, so put the book aside and plunged into his work on The Prodigal Judge with a great deal of enthusiasm. At last he had hit on a theme in which he could employ his wonderful sense of humor. His wit was spontaneous; but while it was a constant delight to those who knew him intimately, he had never regarded it as an asset of any value. I think at the last he began to appreciate that it was his best medium, and that with him the line of least resistance was the safest and wisest to follow.

During the three or four years he lived at Gunston Hall, his work was constantly interrupted by journeys to Washington for slight operations upon his throat. He had great singleness of purpose or he could not have successfully continued his work in the face of such disadvantages. But there was nothing of the invalid about my brother. He diffused an atmosphere of wholesome strength, good nature and health, and until the very last weeks of his life he maintained the attitude of a strong well man.

We were confident that The Prodigal Judge would meet a ready acceptance and would find favor with the public. My brother hoped so, too, but there was sufficient doubt in his mind for him to be relieved intensely by the very generous words in which the publishers accepted the book.

The book was well under way and the proofs read, when my brother's physicians decided that an operation of a somewhat serious character was necessary. He met the ordeal bravely and came through it well. We had a pleasant Christmas together at Gunston Hall, and he was recommencing work on The Just and the Unjust, when another very serious operation was determined upon. Two weeks after the second operation a third operation was performed. My brother rallied, and in March was able to return to Gunston Hall. He had the satisfaction of knowing that his book had achieved all the success he could possibly have hoped for it. He died at Gunston Hall on the night of the fourth of July, 1911.

Paul Kester.