"You have now the truthful story of my woe," he said, brokenly, "are you still willing to help me?"
The question brought Elersley back from his wanderings.
"Do you tell me truthfully that this is the villany of the boy we pampered so at school?"
"That is the story of Vivian Standish's cowardly conduct," said
Bencroft, in a tone of deep resentment.
"Good Heavens!" muttered Guy, "who can tell what more he has been able to do? Give me your hand Bencroft. As you have been the dupe of a blackguard who disguised his villany under the mask of friendship, I will stand to you. Will you allow me to write down this confession over your own signature, lest a nuncupative testimony be not sufficient to condemn him. We will call in Mrs. Pratt to witness the signing of the paper." Guy's suggestion was immediately followed out. The invalid grasped the pen with wonderful strength, and signed his name in a firm legible hand to the document. Mrs. Pratt, looking as dignified as the occasion required, affixed her mark, and so did the widow Brady, who just happened to "drop in." Guy rose and looked at his watch. It was past eleven now, and he had still other duties to attend to before keeping his word with Mrs. Belford.
"Are you going," the invalid asked impatiently, making an effort to rise in his narrow bed. "Look here Elersley," he cried, "I want to thank you, to praise you, if I could, but my poor voice is shattered and weak. If I could only crawl on my knees before you in gratitude, how gladly I would do it, but I will never leave this poor little home of mine alive; my heart is broken and my spirit is worn out. Only tell me you will search the world for the pretty French girl he called 'Fifine,' and tell her the story of my life, my grief and remorse. Punish her deceiver as he deserves and come to my lonely grave at the last and whisper to me that retribution has come. Until then I cannot rest. Oh Guy! there is no misery like the misery of a life whose dark shadows haunt it's victim perpetually. Look at her!—there she is now—oh! so angry and sullen; ugh!—she is cursing me—threatening me—tell her, for God's sake, Guy, tell her to spare the sick, wasted man—see—she is coming nearer to me—save me—save me—" and in wild shrieks and tossings, Nicholas Bencroft plunged back again into the mad delirium of the fever.
CHAPTER XXIX.
"Love is a great transformer." —Shakespeare.
The reader must understand what it is to experience sensations such as flitted through Guy Elersley's breast at this period of his life's dénouement. Any of us who have fallen in with the tide of the great living world, know that the draughts of gall and the drops of nectar reach our lips from the same chalice: our noblest love has often been the parent of our most sinful hatred, and we have cursed in despairing tones the very scenes, days, persons and associations that once constituted the fondest memories of our hearts.
We have a great antithetical existence before us, but the beauty of experience can only be seen by the backward glance, 'tis when we turn our sad and tear-dimmed eyes to look over our bended shoulders at the thorny way that bears the impress of our weary feet, that we can feel what a grand and salutary prayer our lips might make by substituting the murmur and the cry of pain by a holy accent which should be a "fiat."