By this time he was mounting the steps of his boarding-house, and he flung the butt of his cigar violently at a gaunt spare cat that just ventured its pinched countenance from under the verandah. As he turned the latch-key, he was indulging in a strain of "In the gloaming, oh! my darling" as though he were the happiest of living creatures.
For some moments after Guy left his uncle's house Honor sat motionless reading the coals. She was troubled: Mr. Rayne expected her to be able to entice his nephew away from these never ending parties of pleasure, and she could not. If she did not care for him quite so much, her task would indeed be easier, indifference spurs on so to a task that is mere duty. How miserable she was, here, all alone, on his account, while he, where was he spending these moments fraught with so much anxiety for her?
At this juncture Mr. Rayne bustled in and, somewhat surprised to find his little girl alone, he took the seat Honor had placed for Guy, and settled himself for a comfortable fireside chat.
CHAPTER VII.
"The lamps shone o'er fair women and brave men:
A thousand hearts beat happily: and when
Music arose with its voluptuous swell,
Soft eyes looked love to eyes which spake again,
And all went merry as a marriage-bell."
—Byron.
Let us now contrast the two pictures which present themselves to the imagination on this stormy winter evening. One is quiet, usual, familiar; the other is noisy, glittering, but also familiar. One is the drawing-room in Mr. Rayne's comfortable house, with the gaslight falling gently over the silent room—it is not turned very high. Mr. Rayne is dozing in an arm-chair. His hands are folded across his breast, and his limbs are extended at full length—he is dreaming. Honor is seated at the piano, stealing her slender fingers over the ivory keys. It is a low, rippling strain—Valse des Soupirs—such as fairies might bring from their magic touch. 'Tis the music of her own heart—the sound of her sighs, and she plays on softly, heedlessly. She is lost in the ecstacy of her own reverie.
We turn to the other side of the picture. Noisy strains of dance music, merry peals of laughter, little snatches of society gossip, beaming faces, silk and lace and flimsy loveliness, bouquets and gloves, trains, handkerchiefs, fans and flirtation, all in a sweet confusion. This is Ottawa at its best, as every one allows when the Misses Teazle throw aside their family portals for their annual ball. Every one is there— married and single, young and old, homely and pretty, rich and—(no! not rich and poor), the rich only, the powerful only, the most influential papas and the best-dressed mammas that Ottawa can afford, and the "juveniles" get in on pa's and ma's qualifications. It is the first private ball since the opening of Parliament, and every one feels very fresh for pleasure. The Misses Teazle themselves look charming (what hostesses ever did not in Ottawa?) and the rest vie with one another.
We are somewhat confused on our entrance into the brilliant room, but some glaring objects attract our attention, thereby kindly taking that look of vacant bewilderment out of our eyes. We have often wondered what the scene was like inside those closed shutters, and here we are now, transported all at once to the very midst of the interesting proceedings.
There is a group near the door that we readily take in, in our first sweeping glance round the room. Mrs. Mountainhead, a lady prodigiously inclined to embonpoint, looking exceedingly warm and uncomfortable, is the central figure. Her two daughters and their attendant cavaliers are also there. But it is plain to see that Mrs. Mountainhead does not enjoy the ball. She stands in holy awe of her aristocratic daughters, who are just "fresh" from a very modern boarding-school. Every word she utters has an accompanying look thrown either to the short-sighted full- complexioned eldest daughter or to the slim, unprepossessing younger one, seeking approval from their responsive glances. And, after all, poor Mamma Mountainhead, in her ruby velvet and Chantilly lace, has, by far, more brains of her own—if she could get a license to use them— than either of her daughters have ever admitted within the limits of their well-frizzed heads. But who is the apparently devoted admirer of Miss Gerty Mountainhead, who is leaning over her chair from behind, with the top of his aquiline nose in ridiculous proximity to her very red face? Who but Mr. Guy Elersley? There he is, whispering all kinds of nothings into the blushing, susceptible ear of dear Miss Gerty, never heeding the thought of the lonely girl at the piano in the quiet home of his uncle.
Then there is a silvery laugh, and you hear the words—"Well, between the Racquet court and the skating rink, and calls, and going out, what do you think I could ever do? Why, the day is not half long enough as it is."