“How does one know that anything is true in this world?” she replied evasively; “because one does, because one feels it to be true, I suppose.”
And, with that far-off look in her light eyes, she relapsed into silence.
“Have you ever read any of Lovelock’s poetry?” she asked me suddenly the next day.
“Lovelock?” I answered, for I had forgotten the name. “Lovelock, who”—But I stopped, remembering the prejudices of my host, who was seated next to me at table.
“Lovelock who was killed by Mr. Oke’s and my ancestors.”
And she looked full at her husband, as if in perverse enjoyment of the evident annoyance which it caused him.
“Alice,” he entreated in a low voice, his whole face crimson, “for mercy’s sake, don’t talk about such things before the servants.”
Mrs. Oke burst into a high, light, rather hysterical laugh, the laugh of a naughty child.
“The servants! Gracious heavens! do you suppose they haven’t heard the story? Why, it’s as well known as Okehurst itself in the neighbourhood. Don’t they believe that Lovelock has been seen about the house? Haven’t they all heard his footsteps in the big corridor? Haven’t they, my dear Willie, noticed a thousand times that you never will stay a minute alone in the yellow drawing-room—that you run out of it, like a child, if I happen to leave you there for a minute?”
True! How was it I had not noticed that? or rather, that I only now remembered having noticed it? The yellow drawing-room was one of the most charming rooms in the house: a large, bright room, hung with yellow damask and panelled with carvings, that opened straight out on to the lawn, far superior to the room in which we habitually sat, which was comparatively gloomy. This time Mr. Oke struck me as really too childish. I felt an intense desire to badger him.