But the knowledge which disappointment gives, to those wishing to learn from it, has a higher usefulness than practical application. It constitutes a view of life, a certain contemplative attitude which, in its active resignation, in its domination of reality by intelligent acquiescence, gives continuity, peace, and dignity. And here my allegory finds its completion. For what compensated me after my lost train and all my worry and vexation of spirit? Nothing to put in my pocket or swell my luggage, not even a kingdom, such as made up for the loss of poor Saul's asses; but an impression of sunset freshness and sweetness among ripening corn and delicate leaves, and a view, unexpected, solemn, and charming, with those long-forgotten distant walls and towers which I shall never reach, and which have beckoned to me from my childhood.

Such is the allegory, or morality, of the Lost Train.

THE HANGING GARDENS

VALEDICTORY

I am not alluding to those of Semiramis. Though, now I come to think of it, this is the moment for protesting against one of those unnecessary deceptions from which the candid mind of children is allowed to suffer. For the verb to hang invariably implies that the hanging object (or, according to our jurisprudence, person) is supported by a rope, nail, or other device, from above, while remaining unsupported from below. And it was in such relations to the forces of gravitation that my infancy conceived those gardens of the Babylonish Queen. So that I quite remember my bitter disappointment (the first germ, doubtless, of a general scepticism about Gods and Men) when a cut in an indiscreet Handbook of Antiquities displayed these flowery places as resting flatly on a housetop, and no more hanging, in any intelligible sense, than I hung myself.

Having lodged this complaint, I will, however, admit that this misleading adjective comes as a boon in the discourse I am now meditating. Since, returning to my old theme of the Garden of Life, I find that the misapplication of that word Hanging, and its original literal suggestion, lends added significance to this allegoric dictum: Of all the Gardens of Life the best worth cultivating are often the Hanging Ones. Yes! Hanging between the town pavement, a hundred feet below, and the open sky, with gales ready to sweep down every flower-pot into smithereens, the kind or wicked sky, immediately above. Moreover, as regards legal claim to soil, leasehold, freehold, or copyhold, why, simply none, the earth having been carried up to that precarious place in arduous basketfuls.

One of the wisest of women (I say it with pride, for she is my godchild) put this skyey allegory of mine into plain words, which I often repeat to myself, and never without profit. The circumstances and character of her husband had involved her in wanderings from her very wedding-day; and each of her six children had been born in a different place, and each in a more unlikely one. "It must have been very difficult to settle down at last like this," I said, looking in admiration from the dainty white walls and white carpets to the delicately laid table, with the flowers upon it and around it—I mean the garland of pink little faces and pink little pinafores. "I wonder you could do it after so long." "But I have always been what you call settled," she answered, and added very simply—"As soon as I took in that we should always be eternally uprooting, I made up my mind that the only way was to live as if we should never move at all. You see, everything would have gone to bits if I had let myself realise the contrary, and I think I should have gone crazy into the bargain."

There has been a good deal of going to bits and of craziness of sorts owing to the centuries and the universe not always having been as wise as this lady. And—with all deference to higher illuminations—I am tempted to ask myself whether all creeds, which have insisted on life's fleetingness and vanity, have not played considerable havoc with the fruitfulness, let alone the pleasantness, of existence. Certainly the holy persons who awaited the end of the world in caves, and on platforms fastened to columns, had not well-furbished knives and forks, nor carefully folded linen, nor, as a rule, nicely behaved nice little boys and girls, waiting with eager patience for a second helping of pudding. There is a distressing sneer at soap ("scented soap" it is always called), even in the great Tolstoi's writings, ever since he has allowed himself to be hag-ridden by the thought of death. And one speculates whether the care true saints have bestowed upon their souls, if not their bodies, the swept and garnished character of the best monasticism, has not been due to the fact that all this tidiness was in preparation for an eternity of beatitude?

Fortunately for the world, the case of my dear goddaughter is an extreme one; and although our existence is quite as full of uprootings as hers, they come in such a stealthy or such a tragic manner as to beget no expectation of recurrence. Moreover, the very essence of life is to make us believe in itself; we fashion the future out of our feelings of the present, and go on living as if we should live for ever, simply because, by the nature of things, we have no experience of ceasing to live. Life is for ever murmuring to us the secret of its unendingness; and it is to our honour, and for our happiness, that we, poor flashes of a second, identify ourselves with the great unceasing, steady light which we and millions of myriads besides go to make up. Are we much surer of being alive to-morrow than of being dead in fifty years? "Is there any moment which can certify to its successor?" That is the answer to La Fontaine's octogenarian, planting his trees, despite the gibes of the little beardless boys whom, as is inevitable in such cases, he survived.